Then, snatching up the knife, he waved it thrice over his head, and
thrust it into his side. Leaning forward, he tried to picture his
child's face, but could not for the light that love threw around her,
and the mist that death wrapped round him; he drew nearer to his
childhood's God, and, drawing out the knife, fell down at its feet,
turning up his face to it, reverently, lovingly; and there was joy--joy
of conscious strength, of victory--mingling with the life-blood of the
heart that was fast flowing away forever.
It is two o'clock. The night is changed. The storms and clouds and
darkness are all dispersed. The blue sky has thrown aside her veils,
and the moon rides serenely in limitless range, undimmed by a single
fleck of cloud. The very air breathes sweetness and perfume and peace.
But of all the mysteries of the night there is one yet to be solved.
Smâyâtee still sits on one of the sills of the arches in the topmost
chamber of the summer tower, nearest to where the women have retired
out of sight. She hears them whispering. She hears, too, some one
slowly mounting the stairs; the footsteps are heavy, and sound like
those of an aged man. She looks around to see if there is any way by
which she may escape. The tower has but a single spiral stairway.
She remains still and motionless. In a few minutes the sound of the
footsteps comes nearer; through the archway opposite, the tottering
figure of a dark, heavy man enters and approaches her. In the dim light
she looks up at him with a terror-stricken, pleading face, daring
neither to breathe nor speak; she shrinks away to the other side, where
the women are in waiting. The duke, rather admiring her coyness, laughs
a drunken laugh, and attempts to follow her. In crossing the threshold
he stumbles. In trying to recover his footing he is thrown back. His
head strikes violently against a massive gold spittoon.
A wild cry, and Smâyâtee rushes from her hiding-place, springs across
the prostrate figure, down the flights of stairs, and through the
labyrinths of flowering shrubs and plants, to hide herself beside a low
tank of water.
The attendants and slaves who were lying around heard wild cries for
help proceeding from the summer tower, and hurried to the spot with
lamps and lanterns. All the piazzas, streets, gardens, and avenues are
alive with anxious faces and inquiring looks.
The duchess's fears are aroused. She too summons her maidens with their
lanterns, and sets out for the tower.
Suddenly she stops.
A few steps from her she sees an object dressed in bright colors,
crouching in a pool of rain-water by the tank. She stooped to
scrutinize the figure, and found it was that of a young and strange
girl. She bent over her again, and said, gently, "Why art thou hiding
here, my child?"
"I am afraid of him, dear lady," replied the girl, pointing to the
lofty chamber.
Public-domain text, read in full here on John Shaqi.
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