Matveeff adopted a beautiful orphan girl named Natalia Naryshkin, whose
father had been a captain of the militia. The Tsar, whose wife had died
in 1667, without (as we shall see) leaving a very promising heir to the
throne amongst her numerous children, was much struck with the charm of
Natalia, as she waited at table. Legend says that he at once offered to
“find her a husband.” He at all events decided to marry her, and told
Matveeff. But the courtier was too prudent to provide a wife for the
Tsar in this personal fashion. He persuaded Alexis to issue the
customary summons to a competition of health and beauty, and some
hundreds were lodged in the palace and gravely inspected. There seems to
have been some danger of Natalia losing her fortune, or else the comedy
was carried out very thoroughly. Another maiden was selected, and the
opponents of Matveeff pressed her charms. But it was decided that her
hands were too thin for a model of Russian beauty, and the intrigue was
defeated. The Tsar duly discovered the grace and gifts of the pretty
brunette Natalia--which he was not supposed to have seen in any
respectable Russian house--and in January, 1671, she was raised
to the throne.
The young girl had no conception of the opposition which her entrance
into the court would cause. Not only were the brother and other
relatives of the late Tsarina entrenched in lucrative positions, but
several of her children survived, and a grim silent struggle for the
succession grew up about the ageing monarch. Every act of the new
mistress was invidiously discussed. She declined to be secluded in
women’s quarters; she refused to have closed curtains to her litter when
she went abroad; she despised paint and the tawdry display which Russian
women usually made. A Russian envoy who had visited Italy brought news
of a magical form of entertainment known as a theatre, in which painted
scenes of castles and landscapes were put together and disappeared, and
life was remarkably imitated. Natalia and Matveeff set up a theatre,
and, although they did not venture beyond biblical plays, the monks and
reactionaries and envious made a great outcry. She brought into the
world, on May 20th, 1672, a wonderfully vigorous boy--the future Peter
the Great--and malicious tongues whispered that such a child was
assuredly not the son of Tsar Alexis, whose earlier sons had been
feeble. Two daughters followed in the next three years, and the silent
struggle became more tragic. Which of the two families--that of the
first or the second Tsarina--would secure the succession? The Tsar
himself brooded over the difficult problem; and in the midst of his
brooding, in 1676, he died, and left the settlement to the court.
Public-domain text, read in full here on John Shaqi.
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