spirits of the fathers of the family, still reside in and watch over
the establishments of their posterity not yet quit of the infirmities
of the flesh. These spirits are supposed to have their abode in the
wall behind the _ikon_, and food for their use is occasionally placed
on certain days close to the holy picture. The spirits may, very
rarely, be seen in the form of a fly, sipping sugar-water or honey
from a plate; or in the guise of a sparrow or other small bird,
gobbling up crumbs upon the window-sill. In the case of a witch, the
soul may occasionally take an airing during the lifetime of the hag,
choosing the time when the latter is asleep to assume the form of a
moth, which issues from the mouth of the witch and flutters about the
room. This offers an excellent opportunity to get rid of the _vyedma_
altogether. To this end all that has to be done is to conceal the
mouth of the hag, so that the moth, when it returns to the body,
cannot find its way home again. Repulsed in this fashion, the
moth-soul easily becomes discouraged, and giving up the idea of
returning to its prison-house, flies out of the window and disappears,
and the witch is no more. It should be mentioned with regard to the
_rodítyelui_ who live behind the _ikon_, that when the time approaches
for a member of the family to be gathered to his fathers the spirits
gently tap-tap within the wall, as a signal to the living members of
the household that it is necessary for one of them to come and join
his friends behind the _ikon_. This is, of course, the "death-watch,"
as we know it: and the wonder is that the entire household does not
succumb to the terror which must be caused to a family in which the
little tapping creature responsible for these summonses to the next
world may have taken up its abode.
Public-domain text, read in full here on John Shaqi.
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