The Romance of War; or, The Highlanders in Spain, Volume 1 (of 3)Grant, James
General
The Romance of War; or, The Highlanders in Spain, Volume 1 (of 3)
Grant, James
Great Britain. Army. Gordon Highlanders -- Fiction; Peninsular War, 1807-1814 -- Fiction
"We should be eaten up by rats and the Spanish musquitoes before
morning; better the bivouac where our comrades stretch their bare legs
on the cold sod. Fassifern would ill like us seeking even the shelter
of a kennel, while he sleeps as usual under the heels of his horse, with
the pommel of his saddle for a pillow."
"You speak of a kennel; I assure you, Macdonald, that last night I
envied the old barrel in which our household dog at Lochisla takes his
repose in the barbican. But we shall lose ourselves here, the streets
are so dark and strange." As he spoke they had quitted the ruins of the
amphitheatre, and entered a dark and silent street leading towards the
Plaza. It was empty, and its stillness was broken only by the ripple of
the Guadiana, chafing against the stone quay at one end, past which its
broad and rapid current flowed unceasingly.
"Have Sir Rowland and his staff quarters in Merida?"
"I have not heard that they have. But hush! we have something here that
savours of romance," replied Macdonald, as they heard the notes of a
guitar sounding as if struck by a bold and firm hand; and immediately
(the prelude being over) a fine, clear, and manly voice sung a song,
which being in Spanish, was not understood by his listeners, excepting
the burden which he repeated at the end of every verse:—
"Yo acuerdo de te, querida,—
Adios! adios!"
"What cavaliero is this?" whispered Macdonald. "I thought that these
days of serenading had passed away, even in Spain."
"I know him: it is Alvaro de Villa Franca, a captain of the Spanish
cavalry. I see the tall outline of his figure now, and I well know his
helmet with the red horse-hair on its crest."
"Keep under the shadow of the houses, Stuart; perhaps he may sing again.
But he surely hears us; he is looking round."
The form of the Spanish officer, the outline of his high helmet, and his
large bullion epaulettes were now distinctly visible. When his song
ceased, a window above opened, a light flashed through the shutters, and
a lady appeared on the iron balcony; she clapped her hands and the
dragoon drew near, when a conversation, carried on in low and earnest
tones, ensued. The don had placed his hand on the lower part of the
balcony, preparatory to swinging himself up, when a noise in the street
caused the lady to start away, and close the shutters of the window with
the utmost precipitation.
Public-domain text, read in full here on John Shaqi.
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