Man-woman relationships -- Fiction; World War, 1914-1918 -- Fiction
The fire from the battlefield had raked the village street as they came
in; but it had ceased now. The curé had been through it all, going up and
down, helping with the stretchers. John was down there in the wine-shop,
where the soldiers were, looking for more wounded.
They had found five in the stable yard, waiting to be taken away; they
had moved four of them into the ambulance. The fifth, shot through the
back of his head, still lay on the ground on a stretcher that dripped
blood. Charlotte stood beside him.
The curé came to her there. He was slender and lean in his black cassock.
He had a Red Cross brassard on his sleeve, and in one hand he carried his
missal and in the other the Host and the holy oils in a little bag of
purple silk. He looked down at the stretcher and he looked at Charlotte,
smiling faintly.
"Where is Monsieur?" he said.
"In the wine-shop, looking for wounded."
She thought: He isn't looking, for them. He's skulking there, out of the
firing. He'll always be like that.
It had begun again. The bullets whistled in the air and rapped on the
stone causeway, and ceased. The curé glanced down the street towards the
place they had come from and smiled again.
She liked his lean dark face and the long lines that came in it when it
smiled. It despised the firing, it despised death, it despised everything
that could be done to him there. And it was utterly compassionate.
"Then," he said, "it is for you and me to carry him, Mademoiselle." He
stooped to the stretcher.
Between them they lifted him very slowly and gently into the ambulance.
"There, Monsieur, at the bottom."
At the bottom because of the steady drip, drip, that no bandaging could
staunch. He lay straight and stiff, utterly unconcerned, and his feet in
their enormous boots, slightly parted, stuck out beyond the stretcher.
The four others sat in a row down one side of the car and stared at him.
The curé climbed in after him, carrying the Host. He knelt there,
where the blood from the smashed head oozed through the bandages and
through the canvas of the stretchers to the floor and to the skirts of
his cassock.
The Last Sacrament. Charlotte waited till it was over, standing stolidly
by the tail of the car. She could have cried then because of the sheer
beauty of the curé's act, even while she wondered whether perhaps the
wafer on his tongue might not choke the dying man.
The curé hovered on the edge of the car, stooping with a certain
awkwardness; she took from him his missal and his purple bag as he
gathered his cassock about him and came down.
"Can I do anything, Monsieur?"
"No, Mademoiselle. It _is_ done."
His eyes smiled at her; but his lips were quivering as he took again
his missal and his purple bag. She watched him going on slowly down the
street till he turned into the wine-shop. She wondered: Had he seen?
Did he know why John was there? In another minute John came out,
hurrying to the car.
Public-domain text, read in full here on John Shaqi.
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