But for Roger's coming, she might have continued for years being
proposed to decently and indecently by the young fops and financiers
whose piracies the world so completely licences; not one of whom she
would ever like enough, not one of whom could ever lead himself or
her to anything but a country-house or to Deauville. So, as I imagine
it, as she looked around her life, at the supposed pageantry and
possibilities of it, she must have been in a state of watchful coma,
just waiting, with a growing inner sadness, for that "something" to
happen; that "something," that fulfilment of a longing, which would
bring into actual being the woman in her--that thing compact with
elemental passions and fierce desires which had so far only been
present in an involuntary stiffening of her body, her spine, when a
kiss, and maybe one that had faintly attracted her, had touched her.
Her mind might compromise, it often desperately did, but it was as
though an unhesitating iron had entered her body, so that it could
never be lulled to even a pretence of acceptance. And so, as she was
one night surveying the accustomed character of a crowded room, with
what relief she must have realised, howsoever dimly at that first
moment, that the "something" was at last about to happen, that Roger
Poole was crossing the room into her life.
She had met him only once before, four years ago, just after she
had come out--and he had only just lately re-entered her world. She
had, of course, often heard about him during that time, and not only
in political chatter; for Roger, with a certain superciliousness,
had withdrawn himself only from what he found dull and boring in
life--from which Iris hadn't yet thought it worth while to rebel;
unless braving an hysterical scene with her mother for a latchkey was
rebellion. But as to the flouting of conventions and the like, it is
easy enough to do as one likes; but so very much easier, after all,
to know without doing so that the entertainment gained won't be worth
while.
Public-domain text, read in full here on John Shaqi.
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