It was difficult, Iris began (when all these things had settled into
the limbo of our past lives), to tell me in a matter-of-fact way
exactly when and exactly why she had come to be distressed by the
nearness of her husband and his brother to each other. It had just
grown, by very devious ways and windings, though not so stealthily
but that she hadn't noticed the discomfort of it; but, as with such
things, it had seemed altogether so unreasonable and fanciful a feeling
that she had never ceased trying to discourage it within herself; and
it was only at the end that, with quite a burst, her fear had finally
overcome her sense of absurdity, and had scattered it back to the
shades that had sent it to delude her for so long--only at the very end!
At first and for a little time after she was, as I had seen that
afternoon, happy about their friendship. She was pleased with the
success of her plot, it seemed so much like a bad thing put right, one
more "bogey" exorcised from this world. And, mainly, she was pleased
for Roger's sake.... Ah yes, that would surprise me, to whom she had
made such a fuss about wanting to help Antony! But Antony had only been
an incident of her plot--she had seized this idea and given him the
leading part, while Roger and she would get as much or more benefit
from it than he. How the idea of using Antony's suggestion of the
masquerade had come to her she didn't know, but it had come forcefully
enough for her to take great pains about his disguise; the idea that it
would somehow be of great good to Roger to make it up with his brother,
that this new affection (she had an instinct that the brothers were
really very fond of each other, but pettily arrogant) might make him
more, well, tangible--to her!
Public-domain text, read in full here on John Shaqi.
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