Of all infatuations connected with what is foreign, the infatuation about everything that is German, to a certain extent prevalent in England, is assuredly the most ridiculous. One can find something like a palliation for people making themselves somewhat foolish about particular languages, literatures and people. The Spanish certainly is a noble language, and there is something wild and captivating in the Spanish character, and its literature contains the grand book of the world. French is a manly language. The French are the great martial people in the world; and French literature is admirable in many respects. Italian is a sweet language, and of beautiful simplicity—its literature perhaps the first in the world. The Italians!—wonderful men have sprung up in Italy. Italy is not merely famous for painters, poets, musicians, singers and linguists—the greatest linguist the world ever saw, the late Cardinal Mezzofanti, was an Italian; but it is celebrated for men—men emphatically speaking: Columbus was an Italian, Alexander Farnese was an Italian, so was the mightiest of the mighty, Napoleon Bonaparte; but the German language, German literature, and the Germans! The writer has already stated his opinion with respect to German; he does not speak from ignorance or prejudice; he has heard German spoken, and many other languages. German literature! He does not speak from ignorance, he has read that and many a literature, and he repeats—however, he acknowledges that there is one fine poem in the German language, that poem is the _Oberon_; a poem, by-the-bye, ignored by the Germans—a speaking fact—and of course, by the Anglo-Germanists. The Germans! he has been amongst them, and amongst many other nations, and confesses that his opinion of the Germans, as men, is a very low one. Germany, it is true, has produced one very great man, the monk who fought the Pope, and nearly knocked him down; but this man his country-men—a telling fact—affect to despise, and, of course, the Anglo-Germanists: the father of Anglo-Germanism was very fond of inveighing against Luther. The madness, or rather foolery, of the English for foreign customs, dresses and languages, is not an affair of to-day, or yesterday—it is of very ancient date, and was very properly exposed nearly three centuries ago by one Andrew Borde, who under the picture of a “Naked man, with a pair of shears in one hand, and a roll of cloth in the other,” inserted the following lines along with others:—{319}