The room in the tower, and other storiesBenson, E. F. (Edward Frederic)
General
The room in the tower, and other stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
This house at the end of the village stood outside the shadow, and the
lawn which sloped down to the river was still flecked with sunlight.
Garden-beds of dazzling colour lined its gravel walks, and down the
middle of it ran a brick pergola, half-hidden in clusters of
rambler-rose and purple with starry clematis. At the bottom end of it,
between two of its pillars, was slung a hammock containing a
shirt-sleeved figure.
The house itself lay somewhat remote from the rest of the village, and a
footpath leading across two fields, now tall and fragrant with hay, was
its only communication with the high road. It was low-built, only two
stories in height, and like the garden, its walls were a mass of
flowering roses. A narrow stone terrace ran along the garden front, over
which was stretched an awning, and on the terrace a young silent-footed
man-servant was busied with the laying of the table for dinner. He was
neat-handed and quick with his job, and having finished it he went back
into the house, and reappeared again with a large rough bath-towel on
his arm. With this he went to the hammock in the pergola.
“Nearly eight, sir,” he said.
“Has Mr Darcy come yet?” asked a voice from the hammock.
“No, sir.”
“If I’m not back when he comes, tell him that I’m just having a bathe
before dinner.”
The servant went back to the house, and after a moment or two Frank
Halton struggled to a sitting posture, and slipped out on to the grass.
He was of medium height and rather slender in build, but the supple ease
and grace of his movements gave the impression of great physical
strength: even his descent from the hammock was not an awkward
performance. His face and hands were of very dark complexion, either
from constant exposure to wind and sun, or, as his black hair and dark
eyes tended to show, from some strain of southern blood. His head was
small, his face of an exquisite beauty of modelling, while the
smoothness of its contour would have led you to believe that he was a
beardless lad still in his teens. But something, some look which living
and experience alone can give, seemed to contradict that, and finding
yourself completely puzzled as to his age, you would next moment
probably cease to think about that, and only look at this glorious
specimen of young manhood with wondering satisfaction.
Public-domain text, read in full here on John Shaqi.
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