The room in the tower, and other storiesBenson, E. F. (Edward Frederic)
General
The room in the tower, and other stories
Benson, E. F. (Edward Frederic)
English fiction -- 20th century; Ghost stories, English; Horror tales, English; Short stories, English
Then--I dreamed. I dreamed that my servant came very quietly into the
room, to tell me no doubt that it was time to dress. I supposed there
were a few minutes to spare yet, and that he saw I was dozing, for,
instead of rousing me, he moved quietly about the room, setting things
in order. The light appeared to me to be very dim, for I could not see
him with any distinctness, indeed, I only knew it was he because it
could not be anybody else. Then he paused by my washing-stand, which had
a shelf for brushes and razors above it, and I saw him take a razor from
its case and begin stropping it; the light was strongly reflected on the
blade of the razor. He tried the edge once or twice on his thumbnail,
and then to my horror I saw him trying it on his throat. Instantaneously
one of those deafening dream-crashes awoke me, and I saw the door half
open, and my servant in the very act of coming in. No doubt the opening
of the door had constituted the crash.
I had joined a previously-arrived party of five, all of us old friends,
and accustomed to see each other often, and at dinner, and afterwards in
intervals of bridge, the conversation roamed agreeably over a variety of
topics, rocking-turns and the prospects of weather (a thing of vast
importance in Switzerland, and not a commonplace subject) and the
performances at the opera, and under what circumstances as revealed in
dummy’s hand, is it justifiable for a player to refuse to return his
partner’s original lead in no trumps. Then over whisky and soda and the
repeated “last cigarette,” it veered back via the Zantzigs to thought
transference and the transference of emotion. Here one of the party,
Harry Lambert, put forward the much discussed explanation of haunted
houses based on this principle. He put it very concisely.
“Everything that happens,” he said, “whether it is a step we take, or a
thought that crosses our mind, makes some change in its immediate
material world. Now the most violent and concentrated emotion we can
imagine is the emotion that leads a man to take so extreme a step as
killing himself or somebody else. I can easily imagine such a deed so
eating into the material scene, the room or the haunted heath, where it
happens, that its mark lasts an enormous time. The air rings with the
cry of the slain and still drips with his blood. It is not everybody who
will perceive it, but sensitives will. By the way, I am sure that man
who waits on us at dinner is a sensitive.”
It was already late, and I rose.
“Let us hurry him to the scene of a crime,” I said. “For myself I shall
hurry to the scene of sleep.”
* * * * *
Public-domain text, read in full here on John Shaqi.
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