Artists -- Fiction; England -- Fiction; Love stories; Rich people -- Fiction
It was a large face, well proportioned to the figure. It had no
pretensions whatever to ordinary beauty. The features were good; there
was not an ugly line about them; and yet, each one just missed the
beautiful; and the general effect was of a good-looking plainness;
unadorned, unconcealed, and unashamed. But the longer you looked, the
more desirable grew the face; the less you noticed its negations; the
more you admired its honesty, its purity, its immense strength of
purpose; its noble simplicity. You took in all these outward details;
you looked away for a moment, to consider them; you looked back to
verify them; and then the miracle happened. Into the face had stolen
the "light that never was on sea or land." It shone from the quiet grey
eyes,--as, over the head of the man who knelt before her, they looked
out of the picture--with an expression of the sublime surrender of a
woman's whole soul to an emotion which, though it sways and masters
her, yet gives her the power to be more truly herself than ever before.
The startled joy in them; the marvel at a mystery not yet understood;
the passionate tenderness; and yet the almost divine compassion for the
unrestrained violence of feeling, which had flung the man to his knees,
and driven him to the haven of her breast; the yearning to soothe, and
give, and content;--all these were blended into a look of such
exquisite sweetness, that it brought tears to the eyes of the beholder.
The woman was seated on a broad marble parapet. She looked straight
before her. Her knees came well forward, and the long curve of the
train of her black gown filled the foreground on the right. On the
left, slightly to one side of her, knelt a man, a tall slight figure in
evening dress, his arms thrown forward around her waist; his face
completely hidden in the soft lace at her bosom; only the back of his
sleek dark head, visible. And yet the whole figure denoted a passion of
tense emotion. She had gathered him to her with what you knew must have
been an exquisite gesture, combining the utter self-surrender of the
woman, with the tender throb of maternal solicitude; and now her hands
were clasped behind his head, holding him closely to her. Not a word
was being spoken. The hidden face was obviously silent; and her firm
lips above his dark head were folded in a line of calm self-control;
though about them hovered the dawning of a smile of bliss ineffable.
A crimson rambler rose climbing some woodwork faintly indicated on the
left, and hanging in a glowing mass from the top left-hand corner,
supplied the only vivid colour in the picture.
But, from taking in these minor details, the eye returned to that calm
tender face, alight with love; to those strong capable hands, now
learning for the first time to put forth the protective passion of a
woman's tenderness; and the mind whispered the only possible name for
that picture: The Wife.
Public-domain text, read in full here on John Shaqi.
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