Artists -- Fiction; England -- Fiction; Love stories; Rich people -- Fiction
The whole thing had gone as if by clock-work. Two mahogany-coloured,
finely proportioned fellows, in scanty white garments, sprang with the
ease of antelopes to the top of a high step, turning to reach down
eagerly and seize Jane's upstretched hands. One remained behind, unseen
but indispensable, to lend timely aid at exactly the right moment. Then
came the apparently impossible task for Jane, of placing the sole of
her foot on the edge of a stone four feet above the one upon which she
was standing. It seemed rather like stepping up on to the drawing-room
mantelpiece. But encouraged by cries of "Eiwa! Eiwa!" she did it; when
instantly a voice behind said, "Tyeb!" two voices above shouted,
"Keteer!" the grip on her hands tightened, the Arab behind hoisted, and
Jane had stepped up, with an ease which surprised herself. As a matter
of fact, under those circumstances the impossible thing would have been
not to have stepped up.
Arab number four was water-carrier, and offered water from a gourd at
intervals; and once, when Jane had to cry halt for a few minutes'
breathing space, Schehati, handsomest of all, and leader of the
enterprise, offered to recite English Shakespeare-poetry. This proved
to be:
"Jack-an-Jill
Went uppy hill,
To fetchy paily water;
Jack fell down-an
Broke his crown-an
Jill came tumbling after."
Jane had laughed; and Schehati, encouraged by the success of his
attempt to edify and amuse, used lines of the immortal nursery epic as
signals for united action during the remainder of the climb. Therefore
Jane mounted one step to the fact that Jack fell down, and scaled the
next to information as to the serious nature of his injuries, and at
the third, Schehati, bending over, confidentially mentioned in her ear,
while Ali shoved behind, that "Jill came tumbling after."
Public-domain text, read in full here on John Shaqi.
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