The next morning saw David on his way to the home of Joey Noakes, far
down town and to the west of Washington Square. He knew the house. He
had been there before. A narrow, quaint little place it was,
reminiscent in an exterior sort of way of the motley gentleman who
solemnly called it his castle. You climbed a tall stoop flanked on
either side by flower boxes, and rattled a heavy knocker that had all
the marks of English antiquity,--and English servility,--and then you
waited for the trim little housemaid, who betimes was a slavey below
stairs and not permitted to answer the knocker until she had donned her
cap and apron and rolled down her sleeves--and slipped on her cuffs,
for that matter. If you were an unpleasantly long time in gaining
admittance, you might be sure that she was also changing her shoes or
perhaps brushing her hair. In any event, after you knocked it was some
time before she opened the door, and then you were immediately
impressed by the conviction that her brightly shining face had scarcely
recovered from the application of a convenient "wash rag," and that she
seemed deplorably out of breath. But she was neat and clean and quite
English.
As for that, everything about the establishment was English. The
window-boxes, from basement to garret; the way the curtains hung in
rigid complaisance; the significant name-plate on the middle panel of
the door: "Joseph Grinaldi, Esq."; the minute plot of grass alongside
the steps that led to the basement, with a treasured rose-bush in the
corner thereof. You were positive, without looking, that Joey had a
back yard which he called a garden, and that it possessed everything
desirable except a vista--and he would have that if it were not for
"the houses in between," to say nothing of the high board fence he had
built to keep out all prowling beasts--including humanity--with the
double exception of cats and sparrows. Although it was a typical,
hemmed-in New York house, you wouldn't have thought of calling the
chimneys anything but pots, nor would you have called the shingles by
any other name than slates.
Joey was at home. He was expecting David, which accounts for the prompt
appearance of the sprightly maid, and the genial shout of welcome from
the top of the stairs.
"Come in, my lad," called Joey, bounding down the steps with all the
resilience of a youth of twenty. "My crimes, I'm 'appy to see you."
They shook hands warmly, the little maid bobbing her head in rhythmic
appreciation.
"You knew I was coming?" asked David, following the old man into the
"drawing-room."
"I found a note under the door this morning, David, left there
mysterious-like during the night. It was left by the fairies, I
daresay, although the 'and-writing was scarcely wot you'd call dainty."
Joey pulled a knowing wink.
"Dick Cronk," announced David. "He came up with me. Braddock is in the
city, Joey."
Public-domain text, read in full here on John Shaqi.
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