"But, Ma," Rosie cried, "what about poor Jarge?" "Jarge? Why, Jarge is all right. He's out there in the country and you know yourself he's crazy about the country. And more than that, Ellen writes him a picture postcard every week. She gave me her word she'd do it. I couldn't very well insist on her writing a letter, for you know her long hours at the shop and it wouldn't be right to ask her to use her eyes at night. 'But, Ellen dear,' says I to her, 'promise me faithfully you'll never let a week go by without sending him a picture postcard.' And she gave me her word she wouldn't." Mrs. O'Brien could always be depended on to obscure reason in a dust of words, especially at times when it would be embarrassing to face reason in the open. After three or four attempts to arouse her mother to some sort of action, Rosie had to give up. She felt as keenly as ever that George was being basely betrayed, but she saw no way to protect him. She had not written to him since he left, but she wrote every week to his mother on the pretext that Mrs. Riley was deeply interested in Geraldine and must be kept informed of Geraldine's growth and health. Rosie always put in a sentence about Ellen: "Ellen's very busy but very well," or "Ellen's hours are much longer now than they used to be and she hasn't so very much time to herself, but she likes millinery, so it's all right,"--always something that would assure George of Ellen's well-being and excuse, if necessary, her silence. Rosie hated herself for thus apparently shielding Ellen but, in her anxiety to spare George, she would have gone to almost any length. A sort of family pride kept her from confiding her worries to Janet McFadden. Soon after George's departure she had remarked to Janet: "You oughtn't to be surprised because you know the kind of girl Ellen is. She's just got to amuse herself. Besides, you can't exactly blame her because poor Jarge'd want her to have a good time." This attitude had not in the least deceived Janet, but Janet was too tactful to question it. The reasons for not talking to Janet did not apply to Danny Agin, who, being old and of another generation, was philosophical rather than personal and had long since mastered the art of forgetting confidences when forgetting was more graceful than remembering. So at last Rosie opened her heart to Danny. "Now take an engaged girl, Danny." Rosie paused and Danny, nodding his head, said: "For instance, a girl like Ellen." Rosie was glad enough to be definite. "I don't mind telling you, Danny, that it's Ellen I'm talking about. I just don't know what to do about it and maybe you'll be able to help me."