The Round Towers of Ireland; or, The History of the Tuath-De-DanaansO'Brien, Henry
Religion
The Round Towers of Ireland; or, The History of the Tuath-De-Danaans
O'Brien, Henry
Ireland -- Antiquities; Round towers -- Ireland
But, sir, the symbols are _coeval_, imprinted _together_ upon those
edifices at the _very moment_ of their construction; and, therefore, “no
process of time” was required to amalgamate a religion whose god (it is
true) was Apollo, but which was already inseparable, and, though compound,
one.
[Illustration]
I have before established the sameness of design which belonged,
indifferently, to _solar_ worship and to _phallic_. I shall, ere long,
prove that the same characteristic extends equally to _ophiolatreia_; and
if _they all three be identical_, as it thus necessarily follows, where is
the occasion for surprise at our meeting the _sun_, _phallus_, and
_serpent_, the constituent symbols of each, _embossed upon the same
table_, and _grouped_ under the same _architrave_?
“Here,” says a correspondent in the supplement to the _Gentleman’s
Magazine_ of August last, “we have the umbilicated _moon_ in her state of
opposition to the sun, and the sign of fruitfulness. She was also, in the
doctrines of Sabaism, the northern gate, by which Mercury conducted souls
to birth, as mentioned by Homer in his description of the Cave of the
Nymphs, and upon which there remains a commentary by Porphyry. Of this
cave Homer says--
‘Fountains it had eternal, and two gates,
The northern one to men admittance gives;
That to the south is more divine--a way
Untrod by men, t’ immortals only known.’
“The _Cross_, in Gentile rites, was the symbol of reproduction and
resurrection. It was, as Shaw remarks, ‘the same with the ineffable image
of eternity that is taken notice of by Suidas.’ The _Crescent_ was the
lunar ship or ark that bore, in Mr. Faber’s language, the Great Father and
the Great Mother over the waters of the deluge; and it was also the emblem
of the boat or ship which took aspirants over the lakes or arms of the sea
to the Sacred Islands, to which they resorted for initiation into the
mysteries: and over the river of death to the mansions of Elysium; the
_Cockatrice_ was the snake-god. It was also the basilisk or cock-adder.
‘Habet caudem ut coluber, residuum vero corpus ut gallus.’ The Egyptians
considered the basilisk as the emblem of eternal ages: ‘esse quia vero
videtur ζωῆς κυριεύειν καὶ θανάτον, ex auro conformatum capitibus deorum
appingebant Ægyptii.’ What relation had this with the Nehustan or Brazen
Serpent, to which the Israelites paid divine honours in the time of
Hezekiah? What is the circle with the seasons at the equinoxes and
solstices marked upon it?--the signs of the four great pagan festivals
celebrated at the commencement of each of these seasons? The corner of the
stone which is broken off probably contained some symbol. I am not
hierophant enough to unriddle and explain the hidden tale of this
combination of hieroglyphics. We know that the sea-goat and the Pegasus on
tablets and centeviral stones, found on the walls of Severus and
Antoninus, were badges of the second, and the boar of the twentieth
Public-domain text, read in full here on John Shaqi.
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