The Round Towers of Ireland; or, The History of the Tuath-De-DanaansO'Brien, Henry
Religion
The Round Towers of Ireland; or, The History of the Tuath-De-Danaans
O'Brien, Henry
Ireland -- Antiquities; Round towers -- Ireland
The _contortions_ of the snake were easily transferred to the revolutions
of the heavenly bodies. “When the ancients,” says Boulanger, “found out
the true cycle of the sun, they coined names by a _jeu de mots_, or words,
signifying its heat, or its course, that made up the number 365, as they
had done before to make up 360. The name Sabasins, that has so much
perplexed antiquaries and etymologists, is no more than a _numerical
name_, which was given to Jupiter and to Bacchus as _periodical_ deities.
When the suppliant was initiated into the mysteries of Sabasins, a
_serpent_, the symbol of revolution, was thrown upon his breast. Το ΣΑΒΟΕ,
which the Greeks repeated so often in the feasts of Bacchus _without
understanding the meaning of the words_, meant no more than the cycle of
the year, from the Chaldean _Sabb circuire vertere_, etc. The ancient
religion, which applied entirely to the motions of the heavens and
_periodical return_ of the stars, was for that reason named _Sabianism_,
all derived from the Chaldee _Seba_, a _revolution_”; and this, though
Boulanger knew it not, from the Irish Sabh, _serpent_, or _pith_.
Sabaism, therefore, and Ophiolatreia were all one with Gadelianism; and
while, apparently, purporting to be the worship of the _serpent_ and the
_stars_, were in reality the worship of the _Sabh_ or _Yoni_--so that the
dialogue in Genesis between Eve and the _serpent_, was, in truth, a parley
between Eve and the _Yoni_: and the materials for the allegory were
afforded by the fact of _serpent_ and _yoni_ being both expressed in the
sacred, _i.e._ Irish language, by one and the same name, just as the
Lingam and the Tree of Knowledge have been before identified.
The mystery, then, of our ancient escutcheon, viz. a _serpent_ twisted
_round a rod_, resolves itself into the _Yoni embracing_ the _Lingam_.
Hence, too, it was that the portals of all the Egyptian temples were
decorated with the impress of the circle and the serpent. You see also,
why the _seasons_, at the equinoxes and solstices, should have been marked
upon the circle at p. 225; and you further see the mysterious tendency of
the Prophet’s injunction to his children, when he said, “Remember that ye
are _Sabians_,” to have been equivalent with--Keep constantly in view that
you are the offspring of _concupiscence_, and, by the suggestion of the
_serpent_, begotten in _sin_, the penalty of which, as a breach of the
Creator’s commandments, is inevitable _death_, from which you are only
extricated through the promised Redeemer, emanating from the same source
which was before instrumental in entailing your sorrow!
Every syllable of this is hieroglyphically expressed upon the plate
inserted at p. 223, where you observe the _cockatrice_, or snake-god,
placed at the bottom; over him the _crescent_, or mysterious _boot_,
_i.e._ _yoni_, the object seduced; and, finally, the _cross_ in triumph
over both, intimating emancipation by the vicarious passion of God’s own
Son.
Public-domain text, read in full here on John Shaqi.
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