The Round-Up: A Romance of Arizona; Novelized from Edmund Day's MelodramaMurray, John
Philosophy
The Round-Up: A Romance of Arizona; Novelized from Edmund Day's Melodrama
Murray, John
Arizona -- Fiction; Love stories
The animals are driven or decoyed into the cars, and the last journey,
to the packing-house, begins. Punchers accompany them to feed and
water the beasts on the trip. They help turn them into the pens. One
night in Chicago, one meal, a dinner ending with a "Lillian Russell"
(peaches or apple pie covered with ice-cream) as dessert, and the
punchers start West again to begin anew the work of the fall roundup,
which is on a smaller scale than the spring one.
It is dawn in the valley of the Sweetwater. The spring rains
have freshened the verdure of the plain. Clumps of coarse grass fringe
the river's brink. Cacti and Spanish bayonets nod in the morning
breeze, which sweeps down from the mountains. Yucca palms and
sahuaroes glisten with the dew. In the distance rise the foot-hills
crowned with stunted live-oaks. On the horizon tower the mountains,
pine-clad to the timber-line, bare and desolate above.
The outfit of Sweetwater Ranch has gathered for the round-up and the
drive to the railroad. In the absence of her husband, Echo Payson had
assumed complete charge of the ranch, and with the help of Sage-brush
had carried on the work just as she thought Jack would do, hoping
against hope for his return in safety, and hiding her sorrow from those
about her.
Under a clump of cottonwood, a chuck-wagon has halted. Many of the
boys on the round-up are still asleep, the night herders returning to
camp. The cook has started his preparations for breakfast. His wagon
has a covered top like a prairie-schooner. The tail-board has been
lowered to form a table, supported by rawhide straps. About him are
scattered tin cups and kitchen utensils. A thin spiral of smoke arises
from the fire which has been made in a shallow pit to prevent a spread
of flames. The flickering flashes illumine the cook's face as he bends
over a steaming pot of coffee, and reveal the features of Parenthesis.
Parenthesis is mixing dough in a dish-pan set on the tail-board.
Sage-brush kneels near him, putting on his spurs, preparatory to
saddling up as he goes on the first relief.
"Wake up Texas and the other boys, Fresno," ordered Sage-brush. The
Californian threw away the butt of his cigarette and shook each man by
the shoulder. With much yawning and rubbing of eyes the men crawled
from their sleeping-bags. Dashing cold water into their faces from a
basin beside the water-barrel, they drank copiously of the coffee which
Parenthesis poured out for them.
"Mostly all the boys are in now, ain't they?" asked Parenthesis,
looking about the group.
"Yep," answered Sage-brush, "we'll finish brandin' the calves to-day.
I reckon Fresno will have to take charge of the drive. I can't leave
the ranch until Jack gets back."
Public-domain text, read in full here on John Shaqi.
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