She said a little impatiently: “By that rabble?” and the priest remained
mute for a moment. “What do they say? In my father’s time they wouldn’t
have dared to say anything. The only thing I saw of them for years and
years was when they were yelping like curs on the heels of Scevola.”
The absence of scorn in her tone was perfectly annihilating. Gentle
sounds flowed from her lips and a disturbing charm from her strange
equanimity. The abbé frowned heavily at these fascinations, which seemed
to have in them something diabolic.
“They are simple souls, neglected, fallen back into darkness. It isn’t
their fault. But they have natural feelings of humanity which were
outraged. I saved him from their indignation. There are things that must
be left to divine justice.”
He was exasperated by the unconsciousness of that fair face.
“That man whose name you have just pronounced and which I have heard
coupled with the epithet of blood-drinker is regarded as the master of
Escampobar Farm. He has been living there for years. How is that?”
“Yes, it is a long time ago since he brought me back to the house. Years
ago. Catherine let him stay.”
“Who is Catherine?” the abbé asked harshly.
“She is my father’s sister who was left at home to wait. She had given
up all hope of seeing any of us again, when one morning Scevola came
with me to the door. Then she let him stay. He is a poor creature. What
else could Catherine have done? And what is it to us up there how the
people in the village regard him?” She dropped her eyes and seemed to
fall into deep thought, then added, “It was only later that I discovered
that he was a poor creature, even quite lately. They call him
blood-drinker, do they? What of that? All the time he was afraid of his
own shadow.”
She ceased but did not raise her eyes.
“You are no longer a child,” began the abbé in a severe voice, frowning
at her downcast eyes, and he heard a murmur: “Not very long.” He
disregarded it and continued: “I ask you, is this all that you have to
tell me about that man? I hope that at least you are no hypocrite.”
“Monsieur l’Abbé,” she said, raising her eyes fearlessly, “what more am
I to tell you about him? I can tell you things that will make your hair
stand on end, but it wouldn’t be about him.”
For all answer the abbé made a weary gesture and turned away to walk up
and down the room. His face expressed neither curiosity nor pity, but a
sort of repugnance which he made an effort to overcome. He dropped into
a deep and shabby old arm-chair, the only object of luxury in the room,
and pointed to a wooden straight-backed stool. Arlette sat down on it
and began to speak. The abbé listened, but looking far away; his big
bony hands rested on the arms of the chair. After the first words he
interrupted her: “This is your own story you are telling me?”
“Yes,” said Arlette.
“Is it necessary that I should know?”
“Yes, Monsieur l’Abbé.”
“But why?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account