American essays -- 20th century; Literature -- History and criticism
I had one perfect day during one imperfect weekend. I woke immensely
early to a morning full of birds on a rough hill sloping down from
an old Berkshire parsonage by many ways and windings to the devious
Housatonic. I went dabbling on my knees among innumerable daisies and
buttercups and black-eyed Susans to find enough wild strawberries for
my breakfast, and ate them with reckless oceans of cream kept the
night in a spring so cold that on the most tropic days vessels come up
from it clouded and beaded. I neglected the newspapers all day, hoeing
and joyfully baking in my garden in the confident expectation of a
blessed reward. And then at six precisely, by the sun, not the clock,
I slipped, with some splashing, be it admitted, for my dive was eager,
into the cool, sweet, quiet, well-sunned, but still tonic waters of an
unforgettable lake. Repaid by the first keen shock for the whole day’s
scorching, I shouted and ploughed to a deeper pool I know, where the
water is never troubled and where now its crystal loneliness was broken
by nothing but a few pink laurel-blossoms wind-shaken down upon it.
Here I drifted, halcyon for that day, and waited. Not too late it came,
the timid challenge, the flaunting confession, the liquid lament, the
whistled prayer of the hermit thrush, pulsing through the replying
air. I let the spell take me, and lay for a long while at the summit of
rapture, not quite sure which was I, which was calm lake, and which was
radiant bird.
FIREFLIES IN CORNWALL
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account