American essays -- 20th century; Literature -- History and criticism
In the midst of our worst distresses we have need of some such cooling
wisdom. It is, of course, the faith of men who have not hoped for too
specific a mortal or immortal career. We do not hasten to console the
lover who has lost his mistress by telling him that for ages there
will still be love and mistresses. We do not hasten to assure the man
who has just failed of a fortune that though he is poor the sum of the
world’s wealth is still the same. And yet both these things are true.
The truth to be remembered is that in the very world where thrive
the ardours of the lover and the seeker of his individual fortune,
and where tragedy goes with defeat, there exist also such perennial
processes as the patience of the grass and the slow healing of time.
There is a spacious rule of life which has rarely been formulated but
which is probably held by most enlightened men and which better than
any other combines ardour with ripeness of reflection—a rule which in
effect says that though we should work at our appointed tasks as if
everything hung upon success we should afterwards regard each success
or failure as something which really does not matter. Thus only can
we advance with our fullest power; thus only can we free ourselves
from the past when we are done with it, not moaning too loudly over
defeat or being too vainly elated by some little victory. To extremists
such an attitude will seem a frivolous compromise. It is the solemn
hallucination of the hopeful that by ardour and by ardour alone can
the world be saved, and that each defeat of each plan he follows will
mean disaster. It is the cheerful prejudice of the desperate that in
spite of temporary oscillations here and there nothing is really to be
gained by ardours, for when they have cooled the world will continue
its decreed procession down a road paved with ardours flattened under
its solid tread. But between them is that temperate zone where men are
continually warmed by the fires that keep mankind alive and yet draw
from the long records of civilization the wisdom that shows them how to
keep the fire within its bounds, that it may do its work without waste
and destruction.
VII. SHORT CUTS
PETIT UP TO THIRTY
From the inquisitive elder Disraeli, Petit the Poet learned that Lope
de Vega was a poet from his cradle, and he learned it bitterly, for he
was sixteen, and his poetic April lingered. There was great solace in
Keats, who had begun to be a poet at an age which gave Petit still two
years to falter in. But what of these cradle rhymes of the Spaniard?
What of the numerous lispings of Pope to nurse and bottle? What of the
spines of satire Bryant put out at three-and-ten, or the _Blossomes_
Cowley bore midway his second decade? And Chatterton!
Public-domain text, read in full here on John Shaqi.
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