American essays -- 20th century; Literature -- History and criticism
If references to Greek Cults come naturally to mind in connection with
_Women in Love_, these lovers none the less have the modern experience
of frantic reaction from their moments of meeting. They experience
more than classical satiety. Mad with love in one hour, in the next
day they are no less mad with hate. They are souls born flayed, who
cling together striving to become one flesh and yet causing each
other exquisite torture. Their nerves are all exposed. The intangible
filaments and repulsions which play between ordinary lovers are by
Mr. Lawrence in this book magnified to dimensions half heroic and
half mad. He has stripped off the daily coverings, the elaborated
inhibitions, the established reticences of our civil existence, and
displays his women as swept and torn by desires as old as the race and
older, white-hot longings, dark confusions of body and spirit. Gudrum
and Ursula are women not to be matched elsewhere in English fiction
for richness and candour of desire. They are valkyries imperfectly
domesticated, or, in Mr. Lawrence’s different figure, daughters of men
troubling the sons of God, and themselves troubled. No wonder then
that the language which tells their story is a feverish language; that
the narrative moves with a feverish march; that the final effect is
to leave the witness of their fate dazed with the blazing mist which
overhangs the record. Most erotic novels belong to the department of
comedy; _Women in Love_ belongs to the metaphysics and the mystical
theology of love.
MOSES IN MASSACHUSETTS
More than thirty years after Brooks Adams first flayed his ancestors
in _The Emancipation of Massachusetts_ a new edition of the book has
appeared with the original text and a novel preface. What Mr. Adams
has added, besides an expression of regret for his earlier acrimony
of speech, is an account of the philosophy to which he has arrived
after three meditative decades. Although he belongs to the ineffably
disillusioned generation which bred also Charles Francis 2d and Henry
Adams, Mr. Brooks Adams is still an Adams: he thinks with the hard
lucidity and writes with the cold downrightness of his tribe. The
central point of his doctrine is touched upon almost in passing: “And
so it has always been,” he says, “with each new movement which has been
stimulated by an idealism inspired by a belief that the spirit was
capable of generating an impulse which would overcome the flesh and
which would cause men to move toward perfection along any other path
than the least resistant. And this because man is an automaton, and can
move no otherwise.” The emancipation of Massachusetts, Mr. Adams has
presumably come to believe, was merely an irresistible movement of the
commonwealth away from the idealistic impossibilities to which it was
originally pledged and to which the conservatives vainly tried to hold
it. Once they seemed villains; now they seem fools and dupes.
Public-domain text, read in full here on John Shaqi.
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