The Royal Mail: Its Curiosities and RomanceHyde, James Wilson
History
The Royal Mail: Its Curiosities and Romance
Hyde, James Wilson
Postal service -- Great Britain
operator can easily recognise his marks; but in a very dark night, or
during a fog, his skill and experience are put to the test. On such
occasions he seems to be guided by the promptings of his collective
senses. He puts his face close to the window, shutting off the light
from the carriage with his hands, and peers into the darkness, trying to
recognise some wayside object; he listens to the noise made by the
train, estimates its speed of travelling, and by these means he judges
of his position, and effects the exchange of the mails.
It is indeed marvellous that so few failures take place; but this is an
instance of how, by constant application and experience, things are
accomplished which might at first sight be considered wellnigh
impossible. When the exchange takes place, it is the work of a
moment--"thud, thud." The arm which bore the bag springs, disengaged, to
the side of the carriage; the operator takes the inwards bag from the
net, draws the net close up to the side of the vehicle, and the whole
thing is done, and we are ready for the next exchange.
The blow sustained by the pouch containing the mail-bag at the moment
of delivery, on occasions when the train is running at a high speed, is
exceedingly severe, and sometimes causes damage to the contents of the
bags when of a fragile nature and these are not secured in strong
covers. A bracelet sent by post was once damaged in this way, giving
rise to the following humorous note:--
"Mr ---- is sorry to return the bracelet to be repaired. It came this
morning with the box smashed, the bracelet bent, and one of the
cairngorms forced out. Among the modern improvements of the Post-office
appears to be the introduction of sledge-hammers to stamp with. It would
be advisable for Mr ---- to remonstrate with the Postmaster-General,"
&c.
[Illustration: Delivering Arm, showing how the Pouch is suspended.]
Public-domain text, read in full here on John Shaqi.
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