Brandishing long-handled frying-pans, they charged down the sides of the table. The mob wavered, turned, and were lost! Helter-skelter they fled, tumbling over one another in their haste to escape. The lamp was smashed. The benches were upset. In the smoky hall a furious din arose,--as if Sir Galahad and Sir Percivale were once more hewing their way through the castle of Carteloise. Fear fell upon the multitude, and they cried aloud grievously in their dismay. The blows of the weapons echoed mightily in the darkness, and the two knights laid about them grimly and with great joy. The door was too narrow for the flight. Some of the men crept under the lowest berths; others hid beneath the table. Two, endeavouring to escape by the windows, stuck fast, exposing a broad and undefended mark to the pursuers. Here the last strokes of the conflict were delivered. “One for the marquis!” cried Jean, bringing down his weapon with a sounding whack. “Two for the count!” cried Pierre, making his pan crack like the blow of a beaver's tail when he dives. Then they went out into the snowy night, and sat down together on the sill of the stable-door, and laughed until the tears ran down their cheeks. “My faith!” said Jean. “That was like the ancient time. It is from the good wood that strong paddles are made,--eh, cousin?” And after that there was a friendship between the two men that could not have been cut with the sharpest axe in Quebec. III A HAPPY ENDING WHICH IS ALSO A BEGINNING The plan of going back to St. Gedeon, to wait for the return of the lawyer, was not carried out. Several of the little gods that use their own indiscretion in arranging the pieces on the puzzle-map of life, interfered with it. The first to meddle was that highly irresponsible deity with the bow and arrows, who has no respect for rank or age, but reserves all his attention for sex. When the camp on the St. Maurice dissolved, Jean went down with Pierre to Three Rivers for a short visit. There was a snug house on a high bank above the river, a couple of miles from the town. A wife and an armful of children gave assurance that the race of La Motte de la Luciere should not die out on this side of the ocean. There was also a little sister-in-law, Alma Grenou. If you had seen her you would not have wondered at what happened. Eyes like a deer, face like a mayflower, voice like the “D” string in a 'cello,--she was the picture of Drummond's girl in “The Habitant”: “She's nicer girl on whole Comte, an' jus' got eighteen year-- Black eye, black hair, and cheek rosee dat's lak wan Fameuse on de fall; But don't spik much,--not of dat kin',--I can't say she love me at all.”