The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
"Ah! I can't tell--" murmured Renée.
Then she leant forward close to his ear, as if the sound of her voice
alone would have made her blush, and confided to him one of those
convent stories which appear in disgusting songs. He, on his side, had
too rich a collection of anecdotes of this kind to remain behindhand.
He hummed in her ear some very indecent verses. And by degrees they
found themselves in an especial state of beatitude, rocked by all the
carnal fancies that they stirred, titillated by little desires which
were not expressed. The carriage rolled gently on, and they returned
home deliciously fatigued, more tired indeed than after a night of
love. They had sinned, like two young fellows who, wandering along the
country lanes without any mistresses, might content themselves with
their mutual recollections.
Even greater familiarity and licence existed between the father and the
son. Saccard had realised that a great financier ought to love women
and do some foolish things for them. He was a rough lover and preferred
money; but it formed part of his programme to hang about alcoves,
scatter bank-notes on certain mantelshelves, and from time to time use
some notorious wench as a gilded signboard for his speculations. When
Maxime had left college he and his father met in the same women's rooms
and laughed over it. They were even rivals in a degree. At times when
the young fellow dined at the Maison-d'Or with some noisy party, he
would overhear Saccard's voice in a neighbouring private room.
[Illustration: MAXIME DISCOVERS HIS FATHER AT THE MAISON DORÉE.]
"Hallo, papa's next door," he would exclaim with a grimace which he
borrowed from the actors then in favour.
And he would go and knock at the door of the private room, anxious to
see his father's conquest.
"Ah! it's you?" Saccard would say in a gay tone, "come in. You make
enough noise to prevent one from hearing oneself eat. Who are you with
then?"
"Why, there's Laure d'Aurigny, Sylvia, the Crawfish, and two others, I
fancy. They are awfully funny. They poke their fingers in the dishes
and chuck handfuls of salad at our heads. My coat is all greasy with
oil."
The father would laugh, thinking this very funny.
"Ah! young folks, young folks," he would mutter. "That isn't like us,
is it, my little kitten? We have dined very quietly and now we are
going to by-by."
And he would chuck the chin of the woman whom he had beside him, and
coo with his Provençal snuffle, which produced strange music for a
lover.
"Oh! the old noodle!" the woman would cry. "Good-day, Maxime. Mustn't
I love you, eh! to consent to dine with your scamp of a father--One
never sees you now. Come early on the day after to-morrow morning. No,
really, I've something to tell you."
Saccard would finish eating an ice or some fruit, beatifically, taking
small mouthfuls. Then he would kiss the woman's shoulder, saying
humorously:
Public-domain text, read in full here on John Shaqi.
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