The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
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The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Renée's dowry was shaken, carried off and drowned in this fortune which
clamoured and overflowed like a winter-torrent. The young wife, who had
been distrustful in earlier days and desirous of managing her fortune
herself, soon grew tired of business matters; besides, she felt herself
poor beside her husband, and crushed by her debts, she was obliged to
have recourse to him, to borrow money from him, and place herself at
his discretion. At each fresh bill, which he paid with the smile of a
man who is indulgent towards human weakness, she surrendered herself
a little more, confided State bonds to him, and authorized him to
sell this or that. When they went to live in the mansion in the Parc
Monceaux she already found herself almost completely stripped. He had
taken the place of the State and served her the interest of the hundred
thousand francs coming from the Rue de la Pépinière; on the other
hand, he had induced her to sell the estate in La Sologne to place the
proceeds in a great affair, a superb investment, he said. She therefore
had nothing left her excepting the property at Charonne, which she
obstinately refused to part with so as not to sadden that excellent
Aunt Élisabeth. And, in this respect again, he was preparing a stroke
of genius with the assistance of his former accomplice Larsonneau.
She certainly remained under obligations to him; if he had taken her
fortune, he paid her the income it would have furnished, five or six
times over. The interest on the hundred thousand francs, with the
revenue of the Sologne money, scarcely amounted to nine or ten thousand
francs, just enough to pay for her linen and boots. He gave her or paid
away for her fifteen and twenty times that paltry sum. He would have
worked for a week to rob her of a hundred francs, but he kept her in
regal style. And thus like everybody she held her husband's monumental
safe in respect without trying to penetrate the nihility of the river
of gold which passed under her eyes and into which she threw herself
every morning.
Public-domain text, read in full here on John Shaqi.
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