The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Meanwhile the cab turned round the Madeleine and went up the
Boulevards. Here it became filled with a leaping light, with the
reflection of the shops, the fronts of which were flaming. Blanche
Müller resided two steps off, in one of the new houses which have been
built on the raised ground of the Rue-Basse-du-Rempart. As yet there
were only a few vehicles at the door, it was barely more than ten
o'clock. Maxime wanted to take a turn on the Boulevards and wait an
hour, but Renée, whose curiosity was becoming more acute, straightway
declared to him that she should go upstairs alone if he did not
accompany her. He followed her therefore, and felt glad on finding that
there was more company upstairs than he had expected. The young woman
had put on her mask, and leaning on the arm of Maxime, to whom she gave
peremptory orders in a low voice, and who submissively obeyed her, she
ferreted about the rooms, raised the corners of the door-hangings,
examined the furniture, and would perhaps have searched the drawers had
she not feared being seen. Although the rooms were richly upholstered,
there were corners suggestive of a Bohemian life, and in which one
scented the mummer. It was particularly in these spots that Renée's
nostrils dilated, and that she compelled her companion to walk slowly
so as to lose nothing of the sight or the smell. She especially forgot
herself in a dressing-room, the door of which had been left wide open
by Blanche Müller, who, when she entertained company, gave everything
up to her guests, even to her alcove in which the bed was pushed
back to make room for card tables. But the dressing-room did not
satisfy Renée: it seemed to her common, and even rather dirty, with
its carpet which incandescent cigar ash had pitted with little round
burns, and its blue silk hangings stained with pomatum and splashed
with soap-suds. When she had fully inspected the rooms, and set every
feature of the abode in her memory, so as to be able to describe it,
later on, to her intimate friends, she passed on to the people who
were present. As for the men she knew them; they were, for the most
part, the same financiers, the same politicians, the same young fellows
about town who came to her Thursday at-homes. She fancied herself in
her own drawing-room at certain moments, when she found herself in
front of a group of smiling dress coats, who, on the previous evening,
had worn the same smile in speaking to the Marchioness d'Espanet, or
to the fair Madame Haffner at her house. And even when she looked at
the women her illusion was not completely dispelled. Laure d'Aurigny
was in bright yellow like Suzanne Haffner, and Blanche Müller, like
Adeline d'Espanet, wore a white dress which left her bare down to the
middle of her back. At last Maxime implored mercy, and she consented to
sit down on a couch beside him. They remained there for a moment, the
young fellow yawning, the young woman asking him these ladies' names,
Public-domain text, read in full here on John Shaqi.
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