The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
high was a clamour, a prolonged monotonous rumble like an organ note
accompanying an eternal procession of little automatic dolls. At one
moment Renée thought that an accident had taken place. There was a
stream of people in motion on the left, a little beyond the Passage de
l'Opéra. But on taking her glasses she recognised the omnibus office;
there were a great many people on the side-walk standing waiting, and
rushing forwards as soon as a vehicle arrived. She could hear the rough
voice of the official calling out the numbers, and then the tinkle of
the registering bell was wafted to her like a crystalline ringing. Her
eyes next lighted upon an advertisement on a kiosk glaringly coloured
like an Épinal print. On the pane of glass, in a green and yellow
frame, there was a sneering devil's head, with hair on end, a hatter's
advertisement which she did not understand. Every five minutes the
Batignolles omnibus with its red lamps and yellow body passed by,
turning round the corner of the Rue Le Pelletier and shaking the house
with its din; and she saw the men riding on the knife-board, fellows
with weary faces who rose up to look at them, Maxime and herself, with
the inquisitive glances of hungry people peeping through a keyhole.
"Ah!" said she, "the Parc Monceaux is quietly asleep by this time."
It was the only remark she made. They remained there for nearly twenty
minutes, silent, and surrendering themselves to the intoxication of the
noise and illumination. Then, the table being laid, they went and sat
down, and as she seemed inconvenienced by the waiter's presence Maxime
dismissed him.
"Leave us--I will ring for dessert."
Renée had little flushes on her cheeks, and her eyes shone; one would
have thought she had just been running. She brought with her from the
window some of the din and animation of the Boulevard. She would not
let her companion close the sashes.
"Why! it's the orchestra," said she, when he complained of the noise.
"Don't you think it a funny music? It will be a fine accompaniment to
our oysters and partridge."
The escapade lent youth to her thirty years. She had quick movements
and a dash of fever, and this private room, this tête-à-tête with a
young man amid the din of the street, gave her the look of a fast girl.
She attacked the oysters with resolution. Maxime was not hungry and he
watched her with a smile while she devoured.
"The deuce!" he muttered, "you would have made a good supper companion."
She stopped short, annoyed that she had eaten so quickly. "You think
that I'm too hungry. What would you? It's the hour we spent at that
idiotic ball which emptied me. Ah! my poor fellow, I pity you for
living in such society as that!"
"But you know very well," said he, "that I have promised you to send
Sylvia and Laure d'Aurigny to the right about on the day that your
friends consent to come and sup with me."
Public-domain text, read in full here on John Shaqi.
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