The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Larsonneau had become an elegant man about town, well gloved, with
dazzling linen and astounding neckties. To go about he had a tilbury
as light as a piece of clock-work, with a very high seat, and which he
drove himself. His offices in the Rue de Rivoli were a set of sumptuous
rooms in which one never saw the least portfolio or business paper
lying about. His clerks wrote on tables of blackened pear-wood adorned
with marquetry and ornaments of chased brass. He had assumed the style
and title of an expropriation agent, a new calling which the works of
Paris had brought into being. By his connection with the Hôtel de Ville
he was informed in advance of the cutting of any new thoroughfares.
When he had induced a road inspector to show him the proposed line
of route of a new Boulevard, he went to offer his services to the
threatened householders. And he brought forward his little plan for
increasing the indemnity by acting before the decree of public utility
was issued. As soon as a householder accepted his proposals, he took
all the expense on himself, drew a plan of the property, brought
the affair before the courts and paid an advocate, the whole for a
percentage on the difference between the offer made by the city and the
indemnity awarded by the jury. To this calling, which after all might
be avowed, he annexed several others. He especially practised usury.
He was not the usurer of the old school, ragged and dirty, with white
expressionless eyes like five franc pieces, and pale lips tightly drawn
together like the strings of a purse. He smiled, gave charming glances,
had himself dressed by Dusautoy, and went to lunch at Brébant's with
his victim, whom he called "My dear fellow" when he offered him an
havannah at dessert. At bottom, despite his waistcoats tightly buckled
round his waist, Larsonneau was a terrible fellow who, without losing
aught of his amiability, would have prosecuted a debtor for payment of
a bill until the unfortunate man was reduced to commit suicide.
Saccard would willingly have chosen another partner. But he still
entertained anxiety respecting the false inventory which Larsonneau
preciously preserved. So he preferred to interest him in the affair,
hoping that he would be able to profit by some circumstance to regain
possession of this compromising document. Larsonneau built the
music-hall, an edifice in planks and plaster, surmounted by little tin
belfries which he painted red and yellow. The garden and the games
proved successful in the populous district of Charonne. At the end of a
couple of years the speculation seemed a prosperous one, although the
profits were in reality very small. So far, Saccard had always spoken
enthusiastically to his wife concerning the prospects of such a fine
idea.
On seeing that her husband did not make up his mind to come out of the
fire-place, where his voice was becoming more and more indistinct,
Renée exclaimed:
"I shall go to see Larsonneau to-day. It is my only resource."
Public-domain text, read in full here on John Shaqi.
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