The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Madame Sidonie seemed greatly vexed. She was on the point of sitting
down again and resuming her coaxing monologue, but Renée's weary
attitude decided her to defer the attack till another occasion. She
drew a handful of papers out of her pocket, searched among them, and
ended by finding an object enclosed in a kind of pink box.
"I came to recommend you a new soap," she said, resuming her business
voice. "I take a great interest in the inventor, who is a charming
young man. It is a very soft soap, very good for the skin. You will try
it, won't you! And you will speak of it to your friends--I will leave
it there on your mantelshelf."
She had gone to the door when she returned again, and standing upright
amid the rosy glow of the fire which lighted up her waxen face, she
began to praise an elastic belt, an invention intended to take the
place of stays.
"It gives you a perfectly round waist, a true wasp's waist," she said.
"I saved it from bankruptcy. When you come, you will try the specimens,
won't you? I had to run about among solicitors during a whole week.
The documents are in my pocket and I am now going to my lawyer to
have the last attachment raised--Good-bye for the present, pretty
one. Remember that I am waiting for you and that I want to dry your
beautiful eyes."
She glided away and disappeared. Renée did not even hear her close the
door. She remained there, before the dying fire, continuing her dream
of the whole day, with her head full of dancing cyphers, while in the
distance she heard the voices of Saccard and Madame Sidonie who offered
her considerable sums in the tone with which an auctioneer invites bids
for a lot of furniture. She felt her husband's rough kiss on her neck,
and when she turned round she fancied the other was there at her feet,
with her black dress and her flabby face, making passionate speeches
to her, praising her perfections, and begging for an appointment with
the attitude of a lover past resignation. This made her smile. The
heat became more and more stifling in the room. And the young woman's
torpor, the strange dreams she made, were but a light, an artificial
sleep, amid which she always beheld the little private room on the
Boulevard, and the broad divan against which she had fallen on her
knees. She no longer suffered at all. When she raised her eyelids again
Maxime's image passed through the rosy mass of fire.
Public-domain text, read in full here on John Shaqi.
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