"Is that little hunchback Louise so very funny then?" "Oh! very funny," replied the young man, beginning to laugh again. "You saw the Duchess de Sternich with a yellow bird in her hair, didn't you? Well, Louise pretends that it is an automatic bird which flaps its wings every hour and cries: 'Cuckoo! Cuckoo!' to the poor duke." This jest coming from a girl who had just left school seemed very comical to Renée. When they reached the house, as Maxime was about to take his leave, she said to him: "Aren't you coming up? Céleste has no doubt prepared me something to eat." He ascended in his usual easy manner. Upstairs however there was nothing to eat and Céleste had gone to bed. Renée had to light the tapers in a little candelabrum. Her hand slightly trembled. "That foolish girl," she said, speaking of her maid. "She must have misunderstood my orders--I shall never be able to undress myself unhelped." She passed into the dressing room. Maxime followed her to relate another remark of Louise's which had just recurred to his mind. He was as much at his ease as if he had stayed late at a friend's and was looking for his cigar-case to light an havannah. But when Renée had set the candelabrum down she turned round and fell, speechless and portentous, into the young man's arms, pressing her mouth upon his own. Renée's private suite of rooms was a nest of silk and lace, a marvel of coquettish luxury. A tiny boudoir preceded the bedroom. The two apartments formed but one, or rather the boudoir was scarcely more than the threshold of the bedroom, a large alcove, furnished with couches and having a pair of curtains instead of a door. The walls in both apartments were hung with flax-tinted silken stuff, embroidered with huge bouquets of roses, white lilac and buttercups. The curtains and door-hangings were of Venetian lace over a silken lining formed alternately of grey and pink bands. In the bedroom the white marble chimney piece, a real jewel, displayed like a flower bed its incrustations of lapis lazuli and precious mosaics repeating the roses, white lilac and buttercups of the hangings. A large grey and pink bed, the padded and upholstered woodwork of which was not seen, and the head of which stood against the wall, filled quite one-half of the room with its flow of drapery, lace and silk, brocaded with bouquets and falling from the ceiling to the carpet. You would have taken it for a woman's dress, rounded, scalloped, decked with puffs, bows, and flounces; and the large curtain swelling out like a skirt made you dream of some tall love-sick wench, leaning back, fainting away, and almost sinking upon the pillows. Under the curtains it was quite a sanctuary--plaited cambric, a snowy mass of lace, all sorts of delicate transparent things, enveloped in a church-like dimness. Beside the bedstead, this monument the devout amplitude of which suggested a chapel adorned for some festival, the other articles of furniture, some low seats, a