The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
But the dressing-room had one delightful corner, and to that corner
especially did it owe its fame. In front of the window the folds of
the tent parted, and in a kind of alcove, of considerable length but
limited breadth, one espied a bath, a tank of pink marble, embedded
in the flooring and with its sides--chamfered like those of a large
shell--rising to a level with the carpet. One descended into the bath
by marble steps. Above the silver taps, shaped like swans' heads, a
Venetian mirror, frameless, but with curved edges and a design ground
in the crystal, filled the back of the alcove. Renée took a bath
of a few minutes' duration every morning, and this bath filled the
dressing-room with moisture, with a perfume of fresh, wet flesh for
the whole day. At times an open scent bottle, a piece of soap left out
of its dish, lent a dash of something stronger to this rather insipid
smell. The young woman liked to remain there, almost in a state of
nudity, until noon. The round tent itself was also naked. The pink
bath, the pink tables and basins, the muslin of the ceiling and the
walls, beneath which one seemed to see pink blood coursing, acquired
the roundness of flesh, the curves of bare shoulders and bosoms; and,
according to the hour of the day, one would liken the apartment to the
snowy skin of a child or to the warm skin of a woman. It was one vast
nudity. When Renée left her bath her fair form lent but a little more
pink to all the rosy flesh of the room.
It was Maxime who undressed her. He understood that kind of thing,
and his nimble hands divined pins, and glided round her waist with
innate science. He let down her locks, took off her diamonds, and then
dressed her hair for the night. And as he mingled jokes and caresses
with his duties of chambermaid and hair-dresser, Renée laughed with a
greasy stifled laugh, while the silk of her dress-body rustled and her
petticoats were loosened one by one. When she saw herself naked, she
blew out the tapers of the candelabrum, caught hold of Maxime round the
body and all but carried him into the bedroom. The ball had completed
her intoxication, and in her fever she was conscious of the previous
day which she had spent by the fireside, of that day of ardent torpor
and vague and smiling dreams. She still heard Saccard's and Madame
Sidonie's voices talking, calling out figures through their noses like
lawyers. It was these people who bored her, who drove her to crime.
And even now, when in the depths of the vast dark bed she sought for
Maxime's lips, she still saw him amid the fire of the day before
looking at her with scorching eyes.
Public-domain text, read in full here on John Shaqi.
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