The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
However, the two accomplices shook hands vigorously. Larsonneau styled
Saccard his "dear master." He had, at the bottom of his heart, a real
admiration for this equilibrist, and watched his performances on the
tight rope of speculation like a connoisseur. The idea of duping him
titillated him like some rare and spicy voluptuousness. He caressed a
plan which was still vague, however, for he did not very well know how
to employ the weapon he possessed, and he feared wounding himself with
it. Besides, he felt that he was at the mercy of his ex-colleague. The
ground and the buildings, which carefully prepared inventories already
valued at nearly two millions of francs, though they were not worth a
quarter of that amount, must end by being swallowed up in a colossal
bankruptcy, if the fairy of expropriation did not touch them with her
golden wand. According to the original plans which the two confederates
had been able to consult, the new Boulevard, opened in view of
connecting the artillery depôt of Vincennes with the Prince Eugène
barracks, and of bringing the guns and ammunition into the heart of
Paris without passing through the Faubourg Saint-Antoine, would cross
a part of the ground; but it was still to be feared that only a corner
of the latter might be cut off, and that the ingenious speculation of
the music hall would fall through by reason of its very impudence. In
that case Larsonneau would remain with a delicate matter to deal with.
Still this peril did not prevent him, despite the secondary part which
he played perforce, from feeling soul-sick when he thought of the
paltry ten per cent which he would pocket in this colossal robbery of
millions. And at those moments he could not resist the furious longing
he felt to extend his hand and carve out a larger share for himself.
Saccard had not even allowed him to lend money to his wife, he had
preferred to amuse himself with this big piece of theatrical trickery,
which delighted his partiality for complicated transactions.
"No, no, my dear fellow," he said, with his Provençal accent, which he
exaggerated whenever he wished to impart additional salt to a joke,
"don't let us mix up our accounts. You are the only man in Paris to
whom I have sworn never to owe a copper."
Larsonneau contented himself with insinuating that his colleague's wife
was a gulf. He advised him not to give her another sou, so that she
would then be compelled to transfer her property to them immediately.
He would have preferred to have to deal with Saccard alone. He probed
him at times, and carried things so far as to say, with the weary
indifferent air of a man about town:
"All the same, I must put my papers in a little order. Your wife
frightens me, my good fellow. I don't want justice to place the seals
on certain documents at my office."
Public-domain text, read in full here on John Shaqi.
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