The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Already, however, there were two hundred thousand francs' worth of
promissory notes signed by her which barely cost him one hundred and
ten thousand. After having these bills endorsed by Larsonneau to whose
order they were made payable, he placed them in circulation in a
prudent manner, intending to employ them as decisive weapons later on.
He would never have been able to hold out to the end of that terrible
winter, to lend his wife money usuriously and keep up his style of
living, but for the sale of his ground on the Boulevard Malesherbes,
which Messieurs Mignon and Charrier paid him for in hard cash,
retaining, however, a formidable discount.
For Renée this same winter was one long joy. Lack of money was her
only suffering. Maxime cost her very dear; he still treated her as a
stepmother, and allowed her to pay everywhere. But this hidden poverty
was an additional delight for her. She exercised her wits and racked
her brain, so that her dear child should want for nothing; and when she
had prevailed upon her husband to find her a few thousand francs, she
and her lover expended them in some costly folly, like two schoolboys
let loose on their first escapade. When they were hard up they remained
at home and derived their enjoyment from this large building of such
new and insolently stupid luxury. The father was never there. The
lovers sat by the fireside more frequently than formerly. The fact
was, that Renée had filled the icy emptiness of the gilded ceilings
with a warm enjoyment. The suspicious abode of worldly pleasure had
become a chapel in which she secretly practised a new religion. Maxime
did not merely lend to her nature that high note which harmonized
with her mad dresses. He was the very lover fitted to this mansion,
with broad windows like shop fronts, and which a flood of sculpture
inundated from garret to cellar. He animated all this plaster, from the
two podgy Cupids who let a stream of water flow from their shell in
the courtyard, to the tall, naked women supporting the balconies, and
playing with apples and ears of corn, amid the pediments. He explained
the unduly ornate hall, the tiny dimensions of the garden, the dazzling
rooms in which one saw too many arm-chairs, and not one work of art.
The young woman who had formerly felt bored to death in the house,
suddenly began to amuse herself there, and availed herself of it, just
as she might have done with something, the use of which she had not
understood at first. And it was not only through her own apartments,
through the buttercup drawing-room, and the conservatory that she
promenaded her love, but through the entire mansion. She even ended by
finding an enjoyment in lying on the divan of the smoking-room. She
forgot herself there, and declared that the vague smell of tobacco
pervading the apartment was very agreeable.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account