Renée, however, was not cloistered. Taking Maxime in her train, like a fair-haired page in a dress-coat, she frequented society, where she tasted even more acute pleasures. The season was one long triumph for her. Never had her imagination been bolder as regards toilets and head-dresses. It was then that she risked wearing that famous bush-tinted robe, on which a complete stag hunt was embroidered with such attributes as powder flasks, hunting horns, and broad bladed knives. It was then, also, that she set the fashion of wearing the hair in the antique style; Maxime having to go and sketch patterns for her at the Campana Museum which had recently been opened. She grew younger, she was in all the plenitude of her turbulent beauty. Incest lent her a fire which glowed in the depths of her eyes and heated her laughter. Her eye-glasses looked superbly insolent on the tip of her nose, and she gazed at the other women, at the dear friends who basked in the enormity of some vice, with the air of a bragging hobbledehoy, and with a fixed smile which signified "I also have my crime." Maxime, on his side, declared that society was wearisome. It was not merely for show that he pretended to be bored in it, for he really did not amuse himself anywhere. At the Tuileries, at the ministers' residences, he disappeared amid Renée's skirts. But he became the master again as soon as some freak was in question. Renée wished to see the private room on the Boulevard again, and the breadth of the divan made her smile. Then he took her a little bit everywhere, to harlots' houses, to the opera ball, to the stage boxes of petty theatres, to all the equivocal places where they could elbow brutal vice and taste the delights of remaining incognito. When they furtively returned to the house, worn out with fatigue, they fell asleep in each other's arms, sleeping off the drunkenness of obscene Paris, with snatches of smutty verses still ringing in their ears. On the morrow Maxime imitated the actors, and Renée, accompanying herself on the piano of the little drawing-room, tried to recall the hoarse voice and the wriggling of Blanche Müller in her part of the _Belle Hélène_. The music lessons she had taken at the convent now only served her to murder the verses of the new burlesques. She had a religious horror of serious airs. Maxime poked fun at German music with her, and he thought it his duty to go and hiss _Tannhauser_, both by conviction and to defend his stepmother's sprightly refrains. [Illustration: RENÉE AND MAXIME SKATING IN THE BOIS DE BOULOGNE.]