The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
When Saccard had left her, she hastily dressed herself and had the
horses put to. While her brougham was conveying her towards the Île
Saint-Louis, she prepared the manner in which she would ask her father
for the fifty thousand francs. She flung herself into this sudden idea,
without consenting to discuss it, feeling very cowardly at the bottom
of her heart and seized with invincible fright at the thought of such a
step. When she arrived, the courtyard of the Béraud mansion froze her
with its mournful, cloister-like dampness, and it was with a desire to
run away that she mounted the broad stone staircase on which her little
high-heeled boots resounded terribly. She had been foolish enough in
her haste to choose a costume of dead-leaf tinted silk, with long
flounces of white lace trimmed with bows of ribbon and cut athwart by
a plaited sash. This toilet, which was completed by a little hat with
a large white veil, set such a singular note in the dark gloom of the
staircase, that she herself became conscious of how strange she looked
there. She trembled as she crossed the austere suite of spacious rooms,
where the personages vaguely visible on the tapestry seemed surprised
to see this stream of skirts pass by in the semi-daylight of their
solitude.
She found her father in a drawing-room looking on to the courtyard,
where he habitually remained. He was reading a large book placed on a
desk adapted to the arms of his chair. In front of one of the windows
Aunt Élisabeth sat knitting with long wooden needles; and in the
silence of the room the tick-tack of these needles was the only sound
one heard.
Renée sat down, ill at ease, unable to make a movement without
disturbing the severity of the lofty ceiling by a noise of rustling
silk. Her laces looked crudely white against the dark background of
tapestry and old furniture. Monsieur Béraud Du Châtel gazed at her with
his hands resting on the edge of the desk. Aunt Élisabeth talked about
the approaching wedding of Christine who was to marry the son of a very
rich attorney; the young girl had gone to a tradesman's with an old
family servant; and the good aunt talked on alone, in her placid voice,
without ceasing to knit, gossiping about household affairs, and casting
smiling glances at Renée from above her spectacles.
But, the young woman became more and more disturbed. All the silence
of the house weighed upon her shoulders, and she would have given a
great deal for the lace of her dress to have been black. Her father's
gaze embarrassed her to such a point that she considered Worms really
ridiculous to have imagined such high flounces.
"How smart you are, my girl!" suddenly said Aunt Élisabeth, who had not
yet even noticed her niece's lace.
She stopped knitting and settled her spectacles to see the better.
Monsieur Béraud Du Châtel gave a faint smile.
"It is rather white," said he. "A woman must be greatly embarrassed
with that on the side-walks."
Public-domain text, read in full here on John Shaqi.
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