The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
One night Maxime was so rapidly stumped at the house of a woman where
one often gambled till daylight, that he experienced one of those mute
attacks of anger familiar to the gamester whose pockets are empty.
He would have given everything in the world to have been able to
fling a few more louis on the table. He took up his hat, and with the
mechanical step of a man who is impelled by a fixed idea, he repaired
to the Parc Monceaux, opened the little gate, and found himself in the
conservatory. It was past midnight. Renée had forbidden him to come
that night. When she now closed her door to him she did not even try
to invent an explanation, while he merely thought of profiting of his
holiday. He only clearly remembered the young woman's prohibition when
he was in front of the glass door of the little drawing-room which was
closed. As a rule when he was to come, Renée undid the fastening of
this door in advance.
"Bah!" said he on seeing that the window of the dressing-room was
lighted up, "I will whistle and she will come down. I sha'n't disturb
her; if she has a few louis, I will go off at once."
And he whistled gently. He indeed often employed this signal to
announce his arrival. But that evening he fruitlessly whistled several
times. He grew obstinate, raising the key, and unwilling to abandon
his idea of an immediate loan. At last he saw the glass door opened
with infinite precaution and without his having heard the least sound
of footsteps. In the dim light of the conservatory Renée appeared to
him, with her hair down, and scarcely dressed, as if she were going to
bed. She was barefooted. She pushed him towards one of the arbours,
descending the steps and walking over the gravel of the pathways,
without seeming to feel the cold or the roughness of the ground.
"It's stupid to whistle as loud as that," she muttered with restrained
anger. "I told you not to come. What do you want with me?"
"Eh? Let's go up," said Maxime, surprised by this reception. "I will
tell you upstairs. You will catch cold here."
But as he stepped forward she held him back and he then perceived that
she was horribly pale. Mute fright bent her form. Her clothes, the lace
of her linen, hung down like tragic shreds upon her shuddering skin.
He examined her with growing astonishment:
"What is the matter with you? You are ill?"
And instinctively he raised his eyes and looked through the glass panes
of the conservatory at the window of the dressing-room where he had
seen a light.
"But there's a man in your room," he said suddenly.
"No, no, it isn't true," she stammered, supplicating, distracted.
"Pooh, my dear, I see his shadow."
Public-domain text, read in full here on John Shaqi.
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