The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
In the conservatory he whistled as he had done the night before; but he
did not have to wait. Renée came to open the glass door of the little
drawing-room, and went upstairs before him without speaking a word.
She still wore a dress of white tulle forming puffs and covered with
satin bows; the tails of the satin body were edged with a broad band
of white jet which the light of the candelabra tinged with blue and
pink. When Maxime looked at her upstairs he was touched by her pallor
and the deep emotion which deprived her of her voice. She could not
have been expecting him, she still quivered all over at seeing him
arrive as quietly as usual, with his coaxing air. Céleste returned
from the wardrobe, where she had gone to fetch a night-gown, and the
lovers remained silent, deferring their explanation until the girl
had withdrawn. As a rule they did not inconvenience themselves in her
presence; but the things which they felt upon their lips filled them
with a kind of shame. Renée would have Céleste undress her in the
bedroom, where there was a large fire. The chambermaid removed the
pins, took off each article of finery, one by one, without hurrying
herself. And Maxime, feeling bored, mechanically took up the chemise
which was lying on a chair beside him, and warmed it in front of the
flames, leaning forward with his arms apart. It was he who used to
render Renée this little service in happy times and she felt moved when
she saw him delicately holding the gown to the fire. Then as Céleste
showed no signs of finishing the young fellow asked:
"Did you enjoy yourself at the ball?"
"Oh! no, it's always the same thing you know," answered Renée. "A great
deal too many people, a perfect crush."
[Illustration: MAXIME ASSISTING AT RENÉE'S TOILET FOR THE NIGHT.]
Maxime turned the night-gown, which was now warm on one side.
"What did Adeline wear?" he asked.
"A mauve dress, rather awkwardly devised. Although she is short she is
mad on flounces."
They then talked about the other women. Maxime was now burning his
fingers with the gown.
"But you will scorch it," said Renée whose voice was maternally
caressing.
Céleste took the gown from the young fellow's hands. He rose up, and
went to look at the large pink and grey bed, fixing his eyes upon one
of the bouquets embroidered on the curtains, so as to be able to turn
his head, and not see Renée's bare bosom. It was instinctive. He no
longer considered himself her lover, so he no longer had the right
to look. Then he drew a cigar from his pocket and lighted it. Renée
had given him permission to smoke in her apartments. At last Céleste
retired, leaving the young woman by the fireside, quite white in her
night attire.
Maxime walked about for a few moments longer, silent, and looking out
of the corner of his eye at Renée who seemed to be again seized with a
shudder. Then stationing himself in front of the mantelpiece with his
cigar between his teeth, he asked in a curt voice:
Public-domain text, read in full here on John Shaqi.
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