The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
"Ah, I know him, I know him well," he said. "He must have told you some
very pretty things. Relate them to me."
This tone of raillery wounded her. She then enlarged upon her praises;
she considered her husband quite a great man; she talked about the
Charonne affair, that piece of jobbery of which she had understood
nothing, as about a catastrophe in which Saccard's intelligence and
kindness had been revealed to her. She added that she should sign the
deed of cession on the morrow, and that if this affair were really a
disaster, she accepted it in punishment for her sins. Maxime let her go
on, sneering and looking at her slyly; then he said, in an undertone:
"That's it; that's just it."
And raising his voice, and settling his hand on Renée's shoulder:
"Thanks, my dear, but I already know the story. You are of nice
composition!"
He again seemed to be on the point of leaving, but he felt a furious
itching to tell Renée everything. She had exasperated him with her
praises of her husband, and he forgot that he had promised himself not
to speak, so as to avoid anything disagreeable.
"What! what do you mean?" she asked.
"Why, that my father has 'done' you in the prettiest way in the world.
I really pity you--you are too much of a simpleton!"
And he then cowardly, craftily, related to her what he had heard at
Laure's--tasting a secret delight in descending into these infamies. It
seemed to him that he was taking his revenge for a vague insult which
some one had just addressed to him. With his harlot's temperament he
lingered beatifically over this denunciation, over this cruel chatter
of what he had overheard behind a door. He spared Renée nothing,
neither the money which her husband had lent her usuriously nor that
which he meant to steal from her, with the help of ridiculous stories
fit to send children to sleep. The young woman listened to him, very
pale and with clinched teeth. Standing in front of the chimney-piece,
she slightly lowered her head, and looked at the fire. Her night dress,
the gown which Maxime had warmed, spread out, revealing the motionless,
statue-like whiteness of her limbs.
"I tell all this," continued the young man, "so that you may not seem
to be a fool. But you would do wrong to get angry with my father. He
isn't wicked. He has his failings like every one. Till to-morrow, eh?"
He still advanced towards the door. But Renée stopped him with a sudden
gesture:
"Stay!" she cried, imperiously.
And taking hold of him, drawing him to her, almost seating him on her
knees in front of the fire, she kissed him on the lips, saying:
"Ah, well! it would be too stupid to put ourselves to inconvenience
now. Don't you know that my head has no longer seemed to belong to me
since yesterday, since you wanted to break off? I am like an idiot. At
the ball to-night I had a fog before my eyes. It is because I cannot
now live quite without you. When you leave me I shall be done for.
Don't laugh; I tell you what I feel."
Public-domain text, read in full here on John Shaqi.
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