The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
There was a fancy dress ball at the Saccards' on the Mid-Lent Thursday.
The great curiosity, however, was the poem of the "Amours of handsome
Narcissus and the nymph Echo" in three _tableaux_, which the ladies
were to perform. For more than a month the author of this poem,
Monsieur Hupel de la Noue, had been travelling from his Prefecture to
the mansion of the Parc Monceaux, so as to superintend the rehearsals,
and give his opinion on the costumes. He had at first thought of
writing his work in verse, but later on he had decided in favour of
_tableaux vivants_; it was more noble, he said, nearer to antique
beauty.
The ladies no longer slept. Some of them changed their costumes no
fewer than three times. There were some interminable conferences,
over which the prefect presided. The personage of Narcissus was at
first discussed at length. Should a man or a woman personate him? At
last, at the instance of Renée, it was decided that the part should be
confided to Maxime, but he was to be the only man in the _tableaux_;
and, indeed, Madame de Lauwerens declared that she would never have
consented to it if "little Maxime had not been so like a real girl."
Renée was to be the nymph Echo. The question of the costumes was far
more complicated. Maxime gave a good lift up to the prefect, who was
quite tired out amid nine women, whose mad imaginations threatened
to grievously impair his conception's purity of lines. If he had
listened to them, his Olympus would have worn powder. Madame d'Espanet
absolutely wished a dress with a long skirt to hide her somewhat large
feet, while Madame Haffner dreamt of dressing herself in a wild beast's
skin. Monsieur Hupel de la Noue was energetic, and he even turned angry
on one occasion; he was convinced, and he said that if he had renounced
versification it was to write his poem "in cleverly combined stuffs and
attitudes selected among the best."
"The harmony, ladies," repeated he at each fresh exigency, "you
forget the harmony. I can't, however, sacrifice the entire work to the
flounces you ask me for."
The conferences took place in the buttercup drawing-room. Entire
afternoons were spent there, deciding on the cut of a skirt. Worms was
summoned several times. At last everything was settled, the costumes
decided on, the positions learnt, and Monsieur Hupel de la Noue
declared himself satisfied. The election of Monsieur de Mareuil had
given him less trouble.
Public-domain text, read in full here on John Shaqi.
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