The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
In ministerial language, this was the same remark as Mignon's and
Charrier's. Thereupon Monsieur Toutin-Laroche and the others paid their
court, and played on the minister's last phrase: the Empire had already
accomplished marvels; there was no lack of gold, thanks to the great
experience of those in power; France had never occupied such a splendid
position in the eyes of Europe; and the gentlemen ended by becoming
so servile, that the minister himself changed the conversation. He
listened to them with his head erect and the corners of his mouth
slightly raised, whereby an expression of doubt and smiling disdain was
imparted to his fat, carefully shaven, white face.
Saccard, who wished to bring about the announcement of the marriage of
Maxime and Louise, manœuvred so as to find a skilful transition. He
affected great familiarity, and his brother played the good-natured,
and consented to do him the service of seeming to be very fond of him.
He was really a superior man, with his clear look, his evident contempt
of petty rascalities, his broad shoulders which could have overturned
all these folks with a mere shrug. When the marriage at last came into
question he showed himself charming, he let it be understood that he
had his wedding gift ready; he spoke of Maxime's appointment as an
auditor of the Council of State. He went so far as to repeat twice to
his brother, in a tone of good fellowship:
"Tell your son that I wish to be his witness."
Monsieur de Mareuil blushed with delight. Saccard was congratulated.
Monsieur Toutin-Laroche offered himself as a second witness. Then the
group abruptly began talking about divorce. A member of the opposition
had just had "the sad courage," said Monsieur Haffner, to defend
this social shame. And every one protested. Their sense of propriety
furnished them with profound remarks. Monsieur Michelin smiled
delicately at the minister, while Mignon and Charrier observed with
astonishment that the collar of his dress-coat was worn.
In the meantime Monsieur Hupel de la Noue remained embarrassed, leaning
on the arm-chair of Baron Gouraud, who had contented himself with
exchanging a silent hand-shake with the minister. The poet did not
dare to leave the spot. An indefinable feeling, the fear of appearing
ridiculous, the fear of losing the good-will of his superior, detained
him despite his furious desire to go and set the ladies in position
on the stage for the last _tableau_. He waited for some happy remark
to occur to him and reinstate him in favour; but he could think of
nothing, and he was feeling more and more ill at ease when he perceived
Monsieur de Saffré; he took his arm and clung to him as to a saving
plank. The young man had just arrived, he was quite a fresh victim.
"You don't know the marchioness's remark?" the prefect asked him.
Monsieur Hupel de la Noue was so disturbed, however, that he no longer
knew how to present the anecdote in a spicy manner; he floundered:
Public-domain text, read in full here on John Shaqi.
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