The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Renée had refused to take part in the cotillon. She had been nervously
gay since the beginning of the ball, scarcely dancing, but mingling
with the groups, unable to remain still. Her friends found her strange.
During the evening she had talked of making a balloon journey with a
celebrated aeronaut with whom all Paris was occupied. When the cotillon
began she was vexed not to be able to walk about at her ease, so she
stationed herself at the hall-door, shaking hands with the gentlemen
who left and talking with her husband's intimate friends. Baron
Gouraud, whom a lackey carried off in his fur cloak, paid a final
eulogium to her Otaheitian's costume.
Meanwhile Monsieur Toutin-Laroche shook hands with Saccard.
"Maxime relies on you," said the latter.
"Quite so," replied the new senator.
And turning towards Renée:
"I haven't congratulated you, madame. So the dear boy is now settled!"
And as she gave an astonished smile:
"My wife doesn't yet know," observed Saccard, "We have decided this
evening on Mademoiselle de Mareuil's marriage with Maxime."
She continued smiling, bowing to Monsieur Toutin-Laroche who went off
saying:
"You sign the contract on Sunday, eh? I am going to Nevers about a
mining affair, but I shall be back in time."
Renée remained for a moment alone in the middle of the hall. She no
longer smiled, and as she gradually dived into what she had just
learnt, she was seized with a great shudder. She looked at the red
velvet hangings, the rare plants, the pots of majolica with a fixed
stare. Then she said aloud:
"I must speak to him."
And she returned to the drawing-room. But she had to remain near the
entry. A figure of the cotillon barred the way. The orchestra was
playing a waltz air in a low key. The ladies, holding each other hands,
formed a circle, one of those circles that are formed by little girls
singing, "Giroflé girofla," and they spun round as quickly as possible,
pulling one another's arms, laughing and sliding. In the centre, a
gentleman--it was the malicious Monsieur Simpson--held a long pink
scarf in his hand; he raised it with the gesture of a fisherman who is
about to cast a net; but he did not hurry, he no doubt thought it funny
to let these ladies turn round and tire themselves. They breathed hard
and asked for mercy. Then he threw the scarf, and he threw it with such
skill that it went and wound around the shoulders of Madame d'Espanet
and Madame Haffner who were turning side by side. It was one of the
Yankee's bits of fun. He then wished to waltz with both ladies at once,
and he had already taken them both by the waist, one with his left arm
and the other with his right, when Monsieur de Saffré, in the severe
tone of the king of the cotillon, said:
"You can't dance with two ladies."
Public-domain text, read in full here on John Shaqi.
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