The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
The path which the gentlemen took was in a frightful state. It had
rained all night. The soaked ground was becoming a river of mud between
the fallen houses, beside this road, traced out over loose soil,
wherein the transport carts sank up to the naves of their wheels.
On either side fragments of the walls, shattered with pick-axes,
remained standing; lofty eviscerated buildings, displaying their
pallid entrails, opened in mid-air their empty staircase frames, their
suspended gaping rooms, which appeared like the broken drawers of some
great ugly piece of furniture. Nothing could look more lamentable
than the wall-papers of these rooms, blue or yellow squares, falling
in tatters, and indicating, at the height of a fifth or sixth floor,
just under the roofs, the place occupied by some poor little garrets,
narrow holes, in which perhaps a man's whole life had been confined.
The ribbons of the chimney flues rose side by side on the bare walls,
lugubriously black and with abrupt bends. A forgotten weathercock
grated at the edge of a roof, whilst some half-detached water-spouts
hung down like rags. And the gap still deepened amid these ruins,
like a breach opened by cannon; under the grey sky, amid the sinister
pallidity of the falling plaster dust, the roadway, barely marked out,
covered with refuse, with piles of earth and deep pools of water,
stretched away, edged with the black marks of chimney flues, as with a
mourning border.
[Illustration: THE COMMISSIONERS FOR THE PARIS IMPROVEMENTS INSPECTING
THE DEMOLITIONS.]
The gentlemen, with their well-blackened boots, their frock-coats, and
their tall silk hats, set a singular note in this muddy landscape,
of a dirty yellow tint, and across which there only passed some pale
workmen, some horses splashed to the chine, and some carts, the
woodwork of which disappeared beneath a coat of dust. The jurors
followed each other in Indian file, jumping from stone to stone,
avoiding the pools of flowing filth, at times sinking in up to their
heels, and then shaking their feet, and swearing. Saccard had talked
about taking the Rue de Charonne, by which they would have avoided
this promenade over broken ground, but they unfortunately had several
bits of property to visit on the long line of the Boulevard, and,
impelled by curiosity, they had decided to pass right through the
works. Besides, the sight greatly interested them. At times they
stopped, balancing themselves on some bit of plaster which had fallen
into a rut, raising their noses, and calling each other to point out
some perforated floor, some chimney-pot which had remained in the air,
some joist which had fallen on to a neighbouring roof. This bit of
a destroyed city, seen on leaving the Rue du Temple, seemed altogether
funny to them.
"It is really curious," said Monsieur de Mareuil. "Look there, Saccard,
look at that kitchen up there. An old frying-pan has remained hanging
over the stove. I can distinguish it perfectly."
Public-domain text, read in full here on John Shaqi.
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