The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
The commission of inquiry had become very attentive. The two commercial
men's eyes were shining, and they smiled and looked with great interest
at these gardens and pavilions, on which they had not bestowed a glance
prior to their colleague's explanations. A grotto detained them for
a long time. But when the doctor, seeing a house already attacked by
the pick, said that he recognised it as the Count de Savigny's _petite
maison_, well known on account of that nobleman's orgies, the whole
commission left the Boulevard to go and visit the ruins. They climbed
on to the fallen materials, entered the ground floor rooms by the
windows, and as the workmen were away at their mid-day meal, they were
able to linger there quite at their ease. They indeed remained there
for a good half hour, examining the rosettes of the ceilings, the
paintings above the doors, the strained mouldings of the plaster grown
yellow with age. The doctor reconstructed the building.
"Do you see," said he, "this room must be the banqueting hall. There
was certainly an immense divan in that recess of the wall. And, indeed,
I'm sure that a looking-glass surmounted the divan. See, there are the
holdfasts of the glass. Oh! those fellows were scamps who knew deucedly
well how to enjoy themselves!"
The jurors would never have left these old stones which tickled their
curiosity, if Aristide Saccard, growing impatient, had not said to
them, laughing:
"You may look as much as you like, the ladies are no longer here. Let's
get to our business."
Before leaving, however, the doctor climbed on to a mantelshelf, to
delicately detach, with one blow of a pick, a little painted head of
Cupid, which he slipped into the pocket of his frock-coat.
They at length reached the end of their journey. The land which had
formerly belonged to Madame Aubertot was very vast; the music-hall
and the garden occupied barely more than half of the surface; a few
unimportant houses were scattered about the rest of it. The new
Boulevard cut obliquely across this large parallelogram, and this
circumstance had quieted one of Saccard's fears; he had long imagined
that only a corner of the music-hall would be removed by the new
thoroughfare. Larsonneau therefore had received orders to open his
mouth, as the bordering plots ought to at least quintuple in value. He
was already threatening the city of Paris to avail himself of a recent
decree authorising landowners to deliver up only the ground necessary
for works of public utility.
Public-domain text, read in full here on John Shaqi.
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