The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
It was four o'clock. The Bois was awakening from the drowsiness of a
warm afternoon. Clouds of dust flew along the Avenue de l'Impératrice,
and one could see, spread out afar, the expanse of verdure which the
slopes of Saint-Cloud and Suresnes, crowned by the grey walls of Mont
Valérien, limited. High above the horizon the sun shed its rays,
filling the recesses of the foliage with golden dust, lighting up
the tall branches, and changing the ocean of leaves into an ocean of
light. Past the fortifications, in the avenue of the Bois leading to
the lake, the ground had just been watered; and the vehicles rolled
over the brown soil as over a carpet, amid a rising freshness and an
odour of damp earth. Mingled with the low bushes on either side, the
little trees of the copses reared their crowd of young trunks, growing
indistinct in the greenish dimness which flashes of light pierced
here and there with yellow glades; and, by degrees, as one approached
the lake, the chairs on the side-walks became more numerous, families
sat, gazing with quiet silent faces at the interminable procession of
wheels. Then, on reaching the open space in front of the lake, there
was a dazzlement, the oblique sun transformed the round expanse of
water into a huge mirror of polished silver reflecting the brilliant
disk of the planet. All eyes blinked, one could only distinguish the
dark form of the pleasure boat on the left hand side near the bank.
The parasols in the vehicles were inclined with a gentle and uniform
movement towards this splendour, and only rose erect again on reaching
the roadway skirting the sheet of water, which, from the summit of
the bank, now assumed a metallic blackness, streaked with golden
burnishings. On the right hand side the clumps of fir trees lined the
road with their colonnades of straight slender stems, the soft violet
tinge of which was reddened by the flames of the sky; on the left the
lawns, bathed in light and similar to fields of emeralds, stretched
away as far as the distant lace-like ironwork of the gate of La Muette.
And on approaching the cascade, while the dimness of the copses again
presented itself on one side, the islands at the end of the lake rose
up into the blue air, with the sunshine playing over their banks, and
bold shadows darting from their pines, at the feet of which the chalet
looked like some child's plaything lost in a corner of a virgin forest.
The whole wood laughed and quivered in the sunshine.
Public-domain text, read in full here on John Shaqi.
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