The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
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The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
She remained for a moment with her eyes wide open, full of this
apparition, which reminded her of another hour of her life. It seemed
to her as if the Emperor, by mingling with the line of carriages,
had set the last necessary ray therein, and given a meaning to this
triumphal march. Now, it was a glory. All these wheels, all these
decorated men, all these women languidly stretched out, disappeared
amid the flash and the rumble of the imperial landau. This sensation
became so acute and so painful that the young woman experienced an
imperious need of escaping from this triumph, from Saccard's cry, which
was still ringing in her ears, from the sight of the father and the
son slowly walking along, and chatting with their arms linked. She
reflected, with her hands on her breast, as if burnt by an internal
fire: and it was with a sudden hope of relief and salutary coolness
that she leant forward, and said to the coachman:
"To the Béraud mansion."
The courtyard retained its cloister-like coldness. Renée went round
the arcades, made happy by the dampness which fell upon her shoulders.
She approached the fountain, green with moss, and polished by wear at
the edges; she looked at the lion's head, now half effaced, which,
with parted jaws emitted a gush of water by an iron pipe. How many
times had she and Christine taken this head between their girlish arms
to lean forward to reach the stream of water, the icy flow of which
they liked to feel upon their little hands. Then she mounted the great
silent staircase; she perceived her father at the end of the suite of
spacious rooms; he drew up his tall figure, and silently went deeper
into the shade of the old residence, of the haughty solitude in which
he had absolutely cloistered himself since his sister's death; and
Renée thought of the men of the Bois, of that other old man, Baron
Gouraud, who had his flesh rolled about on pillows in the sunlight. She
went up higher, she followed the passages, the servants' stairs, she
was bound for the nursery. When she reached the top landing she found
the key hanging on the usual nail; a large rusty key it was, on which
spiders had woven webs. The lock gave a plaintive cry. How sad the
nursery was! She felt a pang at her heart of finding it so empty, so
grey, so silent. She closed the open door of the abandoned aviary, with
the vague idea that it must have been by that door that the joys of her
childhood had flown away. In front of the flower-boxes, still full of
soil hardened and cracked all over like dry mud, she stopped and broke
off a rhododendron stem; this skeleton of a plant, shrivelled and white
with dust, was all that remained of their living clumps of verdure.
And the matting, the matting itself, faded, gnawed by rats, displayed
itself with the melancholy aspect of a shroud which has for years
awaited a promised corpse. In one corner amid this mute despair, this
silent weeping abandonment, Renée found one of her old dolls; all the
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