The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
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The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
Renée called him "Mademoiselle," without knowing that six months
earlier she would have spoken the truth. To her he seemed very
obedient, very loving, and indeed his caresses often made her
ill-at-ease. He had a manner of kissing that heated her skin. But what
delighted her was his artfulness; he was exceedingly funny and bold,
already speaking of women with a smile and holding his own against
Renée's friends, dear Adeline who had just married M. d'Espanet, and
fat Suzanne, married quite recently to the great manufacturer Haffner.
When he was fourteen he had a passion for the latter. He had taken his
stepmother into his confidence and she was greatly amused.
"For myself I should have preferred Adeline," she said, "she's
prettier."
"Perhaps so," replied the urchin, "but Suzanne is ever so much fatter.
I like fine women. It would be very kind of you to speak to her for me."
Renée laughed. Her doll--this tall urchin with a girl's manners--seemed
to her more amusing than ever since he was in love. The time came
when Madame Haffner seriously had to defend herself. Moreover the
ladies encouraged Maxime with their stifled laughter, their unfinished
sentences, and the coquettish attitudes which they assumed in his
presence. There was a touch of very aristocratic debauchery in all
this. The three of them, scorched by passion amid their tumultuous
life, lingered over the urchin's delightful depravity as over a novel
harmless spice which tickled their palates. They let him touch their
dresses, and pass his fingers over their shoulders when he followed
them into the ante-room to help them on with their wrappers; they
passed him along from hand to hand, laughing like lunatics when he
kissed their wrists near the veins, on the spot where the skin is so
soft; then they became maternal and learnedly taught him the art of
being a fine gentleman and pleasing women. He was their toy, a little
fellow of ingenious mechanism who kissed and courted, who had the most
delightful vices in the world, but who remained a plaything, a little
cardboard puppet whom they did not much fear, though just enough to
quiver very agreeably at the touch of his childish hand.
Public-domain text, read in full here on John Shaqi.
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