The Rush for the Spoil (La Curée): A Realistic NovelZola, Émile
General
The Rush for the Spoil (La Curée): A Realistic Novel
Zola, Émile
Paris (France) -- Social life and customs -- Fiction
herself to a chamberlain so as to be in the imperial bed. And Renée ran
on and on, while Maxime, to exasperate her, declared that he thought
Madame de Sternich charming. Such lessons singularly developed the
collegian's intelligence, and this, all the more, as his young teacher
repeated them every where, in the Bois, at the theatre, and in the
drawing-rooms. The pupil thus became very proficient.
Maxime adored living amid women's skirts, finery and rice powder. He
always remained somewhat girlish with his tapering hands, his beardless
face, and his white, fleshy neck. Renée gravely consulted him about her
dresses. He knew the good costumiers of Paris and pronounced judgment
upon each of them in a word, he talked about the "savour" of such a
one's bonnets and the "logic" of such a one's dresses. At seventeen
there was not a milliner whom he had not proved, not a bootmaker whose
heart he had not penetrated and studied. This strange abortion who
during the English lessons at college, read the prospectuses that
his perfumer sent him every Friday, would have delivered a complete
discourse on Parisian society, customers and tradespeople included,
at an age when country youngsters don't dare look a housemaid in the
face. On his way home he often brought a bonnet, a box of soap or an
article of jewellery that his stepmother had ordered the day before.
Some strip of musk-scented lace always lingered in his pockets.
However his great affair was to accompany Renée when she called on the
illustrious Worms, the tailor of genius, before whom the queens of the
Second Empire fell on their knees. The great man's waiting room was
vast, square and furnished with roomy divans. Maxime entered it with a
feeling of religious emotion. Dresses certainly have a special perfume;
silk, satin, velvet, lace had there mingled their light aroma with that
of women's hair and amber-shaded shoulders; and the atmosphere of the
room retained an oderiferous warmth, an incense of flesh and luxury
which transformed the apartment into a chapel consecrated to some
secret divinity. It was often necessary for Renée and Maxime to dance
attendance during hours; a series of feminine solicitors were there,
waiting their turn, dipping biscuits into glasses of Madeira, taking a
snack on the large central table covered with bottles and plates full
of little cakes. The ladies were at home, they talked freely, and when
they ensconced themselves around the room you would have thought that
a flight of Lesbian nymphs had alighted on the divans of a Parisian
drawing-room. Maxime, whom they put up with and even liked on account
of his girlish air, was the only man admitted into the circle. He
there tasted divine delight: he glided along the divans like a supple
snake; he was discovered under a skirt, behind a bodice, or between
two dresses, where he made himself as small as possible and kept very
quiet, inhaling the perfumed warmth of his feminine neighbours.
Public-domain text, read in full here on John Shaqi.
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