The true reason for the loosening of the bonds between Balakirev and his former pupils cannot be ascribed to differences in their religious opinions. It was rather the inevitable result of the growth of artistic individuality. Balakirev could not realise this, and was disenchanted by the gradual neglect of his co-operative ideal. Borodin took a broad and sensible view of the matter in writing to one of the sisters Karmalina in 1876:--"It is clear that there are no rivalries or personal differences between us; this would be impossible on account of the respect we have for each other. It is thus in every branch of human activity; in proportion to its development, individuality triumphs over the schools, over the heritage that men have gathered from their masters. A hen's eggs are all alike; the chickens differ somewhat, and in time cease to resemble each other at all. One hatches out a dark-plumed truculent cock, another a white and peaceful hen. It is the same with us. We have all derived from the circle in which we lived the common characteristics of genus and species; but each of us, like an adult cock or hen, bears his own character and individuality. If, on this account, we are thought to have separated from Balakirev, fortunately it is not the case. We are as fond of him as ever, and spare no pains to keep up the same relations as before. As to us, we continue to interest ourselves in each other's musical works. If we are not always pleased it is quite natural, for tastes differ, and even in the same person vary with age. It could not be otherwise." The situation was no doubt rendered more difficult by Balakirev's unaccommodating attitude. "With his despotic character," says Rimsky-Korsakov, "he demanded that every work should be modelled precisely according to his instructions, with the result that a large part of a composition often belonged to him rather than to its author. We obeyed him without question, for his personality was irresistible." It was inevitable that, as time went on and the members of "the mighty band" found themselves less in need of guidance in their works than of practical assistance in bringing them before the public, Balakirev's circle should have become Belaiev's circle, and that the Mæcenas publisher and concert-giver should by degrees have acquired a preponderating influence in the nationalist school. This change took place during the 'eighties.