The _Christmas Eve Revels_ opens with an orchestral introduction, "The
Holy Night," descriptive of the serene beauty of the night upon which
the Christ Child came into the world to put all the powers of darkness
under his feet. It is based upon two calm and solemn themes, the first
rather mystical in character, the second of child-like transparency. But
with the rising of the curtain comes an entire change of sentiment, and
we are immediately brought into an atmosphere of peculiarly national
humour. This sudden change from the mystical to the grotesque recalls
the Russian miracle plays of the Middle Ages. The moon and stars are
shining on a Little-Russian village; the hut of Choub the Cossack
occupies the central position. Out of the chimney of one of the huts
emerges the witch-woman Solokha, riding upon a broomstick. She sings a
very old "Kolyadka," or Christmas song. Now the Devil appears upon the
scene to enjoy the beauty of the night. These shady characters confide
their grievances to each other. Solokha has a weakness for the Cossack
Choub, but her son Vakoula the Smith is making love to Choub's beautiful
daughter Oxana, and this is a great hindrance to her own plans, so she
wishes to put an end to the courtship if possible. To-night Choub is
going to supper with the Sacristan and Vakoula is sure to take that
opportunity of visiting his sweetheart, who is, however, deaf to all his
entreaties. The Devil has his own grudge against Vakoula, because he has
drawn a caricature of his satanic majesty upon the wall of the village
church. The Devil and the Witch decide to help each other. They steal
the moon and stars and fly off, leaving the village plunged in darkness.
Ridiculous complications occur. Choub and the Sacristan go out, but
wander round in a circle, and after a time find themselves back at the
Cossack's hut, where Vakoula is making love to Oxana. In the darkness
Vakoula mistakes Choub for a rival lover and drives him out of his own
courtyard. Matters are set right by the return of the moon and stars,
who have managed to escape from the Devil and his companion.
[Illustration: RIMSKY-KORSAKOV
_From a portrait by Repin_]
In the end Oxana declares she will only accept Vakoula on condition that
he presents her with a pair of the Empress's shoes. The Smith departs
upon this unpromising errand. Thanks to his Cossack friends he finds his
way into the palace. During the festivities of the evening, the Cossacks
are called upon to perform their national dances in order to amuse the
Court. The Empress, in high good humour, is informed of Vakoula's quest,
and good-naturedly gives him her shoes. He returns in triumph to his
native village and marries his capricious beauty.
Public-domain text, read in full here on John Shaqi.
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