She babbled on while Lola polished her up and did all those quite
unnecessary things which modern life has invented for women before they
will show themselves to the public. In the frankest possible way and
without the least reserve she roughed out the history of the man who had
come back,—a pucca soldier who had been in India since the War and was
one of Feo’s earliest friends. He had loved her violently, been turned
down for Fallaray and had never married. It so happened that he had not
seen Feo during his periods of leave while the War was on and had told
her over the telephone that if he didn’t see her then, at once, he’d
either have apoplexy or be taken to Bow Street for smashing the town.
Feo laughed when she repeated this.
“And he would too,” she said. “He’s just that sort. Those tall, dark men
with a dash of the Oriental in them somewhere go through life with the
apparent indifference of a greyhound until the bursting point comes, and
when they give way,—whew, look out for the splinters.”
She was excited,—almost as excited as Lola was. And finally, dressed and
scented, with her nails pink and her full lips reddened, she had never
looked more characteristically Feo, more virile, more audacious, more
thoroughbred and at the same time more bizarre. “Now for the Ritz,” she
said (Ah, then the Carlton was safe), turned at the door and in a moment
of impulse took a diamond bracelet from her wrist and pitched it at Lola
as though it were a tennis ball. “You’re a jolly good sportsman, child,”
she added, with her widest smile.
All the way downstairs she sang an aria from “Le Coq d’Or,”—a strange,
wistful, moonlit thing.—And hardly had she gone before Lola seated
herself at the dressing table, where she commenced those operations
which would transform her also into a woman of the world.
V
And then, with her nose in the air and her hands folded over her tummy,
Miss Breezy marched into the dressing room. “Oh,” she said, which was
quite enough.
And Lola sprang to her feet, caught in the act of using her mistress’s
make-up. But it was so long, or it seemed to be so long, since she had
held any conversation with her aunt that nearly all sense of
relationship had faded out. This was Miss Breezy the housekeeper,
natural enemy of servants and on the lookout especially to find
something which would form the basis of an unfavorable report in regard
to Lola.
“Good afternoon, Miss Breezy.”
“Oh, don’t be absurd. I’m your aunt and there’s no getting away from it.
This playing of parts makes me impatient.” Her tone was snappy but there
was, oddly enough, nothing antagonistic in her expression. On the
contrary—and this put Lola immediately on her guard—there was all about
her a new air of armistice, an obvious desire to call off unfriendly
relations and bury the hatchet.
The thought that ran through Lola’s head was, “What does she want to
know?”
Public-domain text, read in full here on John Shaqi.
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